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| 3.651 Ft
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| 1. | A Shot in the Dark
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| 2. | For Dancers Only
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| 3. | Southern Comfort
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| 4. | Blue Bongo
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| 5. | On the Trail
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| 6. | I'm Getting Sentimental over You
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| 7. | 'Tain't What You Do (It's the Way That Cha Do It)
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| 8. | Good Lookin' Out
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| 9. | Proud Mary
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| 10. | Feeling Good
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| 11. | Downtown
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| 12. | Taj Mahal
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| 13. | Heat Wave
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| 14. | Make Someone Happy
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Jazz
Recorded between 1963 and 1971
Digitally remastered by Kevin Reeves (Universal Mastering Studios-East).
Shirley Scott - Organ
Art Davis - Bass
Attila Zoller - Guitar
Barry Galbraith - Guitar
Bob Cranshaw - Bass
Clark Terry - Trumpet
Danny Bank - Sax (Baritone)
Ed Shaughnessy - Drums
Eddy Manson - Harmonica
Ernie Royal - Trumpet
George Duvivier - Bass
Grady Tate - Drums
Jerome Richardson - Sax (Tenor)
Jimmy Cleveland - Trombone
Jimmy Raney - Guitar
Joe Newman - Trumpet
Joe Venuto - Percussion
Johnny Pacheco - Percussion
Mel Lewis - Drums
Melba Liston - Trombone
Mickey Roker - Drums
Mundell Lowe - Guitar
Osie Johnson - Drums
Otis Finch - Drums
Phil Woods - Sax (Alto)
Quentin Jackson - Trombone
Ron Carter - Bass
Snooky Young - Trumpet
Stanley Turrentine - Sax (Tenor)
Thad Jones - Trumpet
Urbie Green - Trombone
Willie Rodriguez - Percussion
* Ben Young - Research, Restoration
* Bob Thiele - Producer
* Bryan Koniarz - Compilation Producer
* Carlos Kase - Research
* Chuck Stewart - Cover Photo, Photography
* Edward Odowd - Design
* Esmond Edwards - Producer
* Gary McFarland - Arranger, Conductor, Vibraphone
* Hollis King - Art Direction
* John Corbett - Liner Notes
* Ken Druker - Executive Producer
* Kevin Reeves - Mastering
* Oliver Nelson - Arranger, Conductor, Strings
* Sherniece Smith - Art Producer
This is part of the Verve Records Takin' Verve series.
Although she freely offered Jimmy Smith as her main influence, Philadelphia's Shirley Scott brought her own mixture of sophistication and soul jazz funk to her Hammond B-3 recordings. Less blues-based than Smith, she had a softer tone and tackled a wider range of material, although, like Smith, she was arguably at her best in the trio setting. This set brings together some key tracks from the Impulse and Cadet labels, including the soft and smooth "Taj Mahal," a pair of fine trio outings, "Blue Bongo" and "On the Trail," and she even makes John Fogerty's "Proud Mary" sound like it was written for the B-3.
---Steve Leggett, All Music Guide |
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