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| 4.742 Ft
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| 1. | The Boy From Ipanema
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| 2. | Fascinating Rhythm
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| 3. | Night Song
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| 4. | Mr. Lucky
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| 5. | Fever
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| 6. | Shiny Stockings
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| 7. | Avalon
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| 8. | Tea For Two
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| 9. | Quiet Nights Of Quiet Stars
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| 10. | Stompin At The Savoy
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| 11. | Moment Of Truth
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| 12. | Jive Samba
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| 13. | A Taste Of Honey
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Jazz
Recorded August 13, 14, 15, and 18, 1964 at A&R Recording, New York City
Sarah Vaughan Vocal
Wayne Andre Trombone
Billy Byers Trombone
Jimmy Cleveland Trombone
Paul Faulise Trombone
Benny Powell Trombone
Bill Watrous Trombone
Kai Winding Trombone
Britt Woodman Trombone
Dick Hixson Bass Trombone
Jerome Richardson Flute
Bernard Eichen Violin
Lewis Eley Violin
Emmanuel Green Violin
Leo Kruczek Violin
Charles Libove Violin
David Nadien Violin
Gene Orloff Violin
Tosha Samaroff Violin
Harry Lookofsky Tenor Violin
Bob James Piano
Barry Galbraith Guitar
George Duvivier Bass
Roberto Rodriguez Bass
Willie Bobo Percussion
Juan Cadavieco Percussion
Jose Mangual Percussion
Willie Rodriguez Percussion
Raphael Sierra Percussion
Bobby Donaldson Percussion, Drums
Frank Foster Arranger, Conductor
All manner of marketplace trends would impact on the parallel worlds of jazz and adult pop music in the Sixties, but none was as musically pleasing as the emergence of the bossa nova and various other forms of Latin rhythm. By 1964, when Viva! Vaughan was recorded, numerous singers and instrumentalists were clinging to the Brazilian beat lik the life raft it was, helping their music stay afloat in the face of massive sea changes in taste.
Sarah Vaughan's major foray into the world of Latinate laments was Viva! Vaughan, an impeccable album of songs both North and South American, old and new, all rendered to that undulating beat. Produced by Quincy Jones and arranged and conducted by Frank Foster, a veteran of the Count Basie Orchestra, Viva! Vaughan audaciously combines a full-scale, all-star jazz big band with a five-piece contingent of Latin percussionists and a complete string section. American jazz and pop singers went Latin both before and after, but never again would both contingents come together to swingingly.
session
Original recordings produced by Quincy Jones |
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