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| Ken Burns Jazz - The Definitive Coleman Hawkins |
| Coleman Hawkins |
| első megjelenés éve: 1963 |
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| (2000)
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CD |
| 3.288 Ft
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| 1. | The Stampede
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| 2. | If I Could Be With You
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| 3. | One Hour Tonight
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| 4. | Queer Notions
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| 5. | It's The Talk Of The Town
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| 6. | Honeysuckle Rose
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| 7. | Body And Soul
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| 8. | The Man I Love
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| 9. | Bean At The Met
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| 10. | Woody 'N' You
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| 11. | Bean And The Boys
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| 12. | Stuffy
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| 13. | Picasso
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| 14. | La Rosita
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| 15. | Ruby, My Dear
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| 16. | Just Friends
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| 17. | Crazy Rhythm
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| 18. | Driva Man
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| 19. | Self Portrait (Of The Bean)
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Jazz
Recorded between 1926 and 1963.
Coleman Hawkins - Tenor Saxophone, Clarinet
Ray Nance - Cornet
Rex Stewart - Cornet
Henry "Red" Allen - Trumpet
Roy Eldridge - Trumpet
Booker Little - Trumpet
Dizzy Gillespie - Trumpet
Howard McGhee - Trumpet
Fats Navarro - Trumpet
Jon Smith - Trumpet
Lawrence Brown - Trumpet
Glenn Miller - Trombone
J. J. Johnson – Trombone
Julian Priester - Trombone
Pee Wee Russell - Clarinet
Benny Carter - Alto Saxophone
Johnny Hodges - Alto Saxophone
Phil Woods - Alto Saxophone
Don Byas - Tenor Saxophone
Sonny Rollins - Tenor Saxophone
Charlie Rouse - Tenor Saxophone
Ben Webster - Tenor Saxophone
Milt Jackson - Vibraphone
Paul Bley - Piano
Duke Ellington - Piano
Fletcher Henderson - Piano
Hank Jones - Piano
Thelonious Monk - Piano
Oscar Peterson - Piano
Teddy Wilson - Piano
Django Reinhardt - Guitar
Herb Ellis - Guitar
Ray Brown - Bass
Jimmy Garrison - Bass
John Kirby - Bass
Oscar Pettiford - Bass
Art Blakey - Drums
Max Roach - Drums, Percussion
Gene Krupa - Drums
Shelly Manne - Drums
Cozy Cole - Drums
Jo Jones - Drums
Abbey Lincoln - Vocal
He was an itinerant musician no more easily contained stylistically than he was identified with one era. Yet Coleman Hawkins commanded more respect in the jazz world than any other instrumentalist - and he commanded it for nearly fifty years. He appeared first with blues singer Mamie Smith and then with Fletcher Henderson’s orchestra in the early Twenties, and he maintained his command through all jazz’s and bebop, even to the experiments he participated in with avant artists who were his musical grandchildren.
But he invented the tenor saxophone in jazz, didn't he And his proud bearing limitless ideas, and cavernous sound were never duplicated, on any instrument, were they? So is there a tune title more befitting him than that of his pure improvisation, "Picasso"?
Includes liner notes by Carl Woideck. |
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