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Shima Shoka
Aki Takase
első megjelenés éve: 1990
(1990)

CD
3.557 Ft 

 

IMPORT!
Kosaramba teszem
1.  Meraviglioso
2.  Ida Lupino
3.  A.V.S.
4.  Point
5.  Presto V.H.
6.  Shima Shoka
7.  Rockin In Rhythm
8.  Timebends
9.  Dr. Beat
10.  Hanabi
11.  Giant Steps
12.  Goodbye Pork Pie Hat
13.  Valse Hot
Jazz

Recorded: July 10th & 11th, 1990, Bechstein Concert Hall, Berling

Aki Takase piano solo

Producer: Horst Weber
Engineer: Ricardo Van Krugten
Cover Photograph: Inge Ofenstein
Cover Design: Nina Ludwig



Aki Takase

Active Decades: '80s, '90s and '00s
Born: Jan 26, 1948 in Osaka, Japan
Genre: Jazz
Styles: Modern Creative, Post-Bop, Free Jazz, Avant-Garde Jazz, Free Improvisation

While remaining steeped in the musical traditions of her native Japan, pianist and composer Aki Takase emerged as one of the most versatile figures in contemporary jazz, her work running the gamut from conventional structures and harmonies to complete abstraction. Born in Osaka on January 26, 1948, and raised in Tokyo, she received her first piano lessons at the age of three, going on to study at Tohogakuen Music University. Influenced by the work of Ornette Coleman, John Coltrane, and Charles Mingus, Takase soon turned to improvisation, and in 1971 was regularly performing professionally; by the age of 25, she was already leading her own groups. In 1978, she first traveled to the U.S., and later recorded with Dave Liebman; in 1981, she also journeyed to Europe, where she and her trio played the Berlin Jazz Festival. By 1982, Takase was regularly in the studio, leading such dates as A.B.C. and Perdido. In New York, she recorded with artists including Sheila Jordan, Cecil McBee, and Bob Moses, and also delivered a much-acclaimed performance at the East-West Festival in Nuremburg. From 1988 to 1994, Takase regularly played in a duo with Maria Joao and maintained her busy festival schedule; during the mid-'90s, she also toured with Coltrane alumni Rashied Ali and Reggie Workman, founded a septet comprised of other Japanese musicians, composed for a string quartet, and continued to work as a solo performer (at times playing the koto, a traditional Chinese 17-string zither).
---Jason Ankeny, All Music Guide
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