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| That's What She Said |
| Flora Purim |
| első megjelenés éve: 1978 |
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| (2001)
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CD |
| 3.726 Ft
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| 1. | Look into His Eyes
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| 2. | Juicy
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| 3. | Hidden Within
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| 4. | You on My Mind
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| 5. | What Can I Say?
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| 6. | Love's the Way I Feel 'Bout Cha
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| 7. | That's What She Said
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| 8. | You Are My Heart
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Jazz
George Bohanon - Trombone
Oscar Brashear - Trumpet
Phil Bray - Photography
Phil Carroll - Art Direction
Leon "Ndugu" Chancler- Drums
George Duke - Piano, Background Vocals, Moog Synthesizer, Arp Strings, Arra
Hugo Fattoruso - Arp
Jay Graydon - Guitar
Larry Hirsch - Engineer
Orrin Keepnews - Producer, Original Liner Notes
Kerry McNabb - Engineer, Remixing
Byron Miller - Electric Bass
Flora Purim - Guitar, Percussion, Vocals
Jamie Putnam - Design, Hand Coloring
Joe Tarantino - Remastering
David T. Walker - Guitar
Ernie Watts - Flute
Flora Purim gathered several of her favorite associates for this album, then asked them to contribute original compositions as well as instrumental and occasional vocal support. What resulted was a tour de force in which Purim proved herself to be one of the most musicianly and innovative singers of recent decades. Unfazed by odd time signatures and abrupt tempo changes, able to blend seamlessly with various keyboards, she cruises through these eight performances, four of which were contributed by George Duke. Husband Airto Moreira makes his usual essential contribution, and Joe Henderson steps forward for a hot featured spot on "What Can I Say?," but this is Purim's show, and even when singing wordlessly she is the model of articulate vocal exploration.
Flora Purim
Active Decades: '70s, '80s, '90s and '00s
Born: Mar 06, 1942 in Rio de Janeiro, Brazil
Genre: Latin; Jazz
Styles: Brazilian Jazz, Fusion, Latin Jazz, Vocal Jazz
Influenced by both traditional Brazilian singers and the improvisations of American jazz divas like Ella Fitzgerald and Sarah Vaughan, Flora Purim was one of the most adventurous singers of the 1970s. After meeting and marrying her husband, percussionist Airto Moreira, in their native Brazil, Purim moved with him to the U.S. in the late '60s. Though she worked with Stan Getz and pianist Duke Pearson before the decade ended, it wasn't until joining Chick Corea, Joe Farrell, Stanley Clarke, and Moreira in the original Return to Forever in 1972 that she became well known in the States. Purim showed considerable promise on Forever classics like "500 Miles High" and "Light As a Feather" and lived up to it when she went solo with 1973's Butterfly Dreams. Ranging from superb to passably decent, Purim's Milestone dates of the mid- to late '70s kept her quite visible in the jazz world. Purim's work grew erratic and uneven in the 1980s, and she wasn't recording as often (though she did provide one album for Virgin and three with Moreira for Concord's Crossover label). Purim didn't record very often in the early to mid-'90s either, but she continued to be highly regarded in Brazilian jazz circles.
---Alex Henderson, All Music Guide |
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