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| 4.780 Ft
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| 1. | After You've Gone
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| 2. | When Johnny Comes Marching Home
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| 3. | Deep River
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| 4. | Till We Meet Again
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| 5. | K-K-K-Katy
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| 6. | 'Til The Clouds Roll By
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| 7. | Over There
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| 8. | Ja-Da
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| 9. | Hello, Central, Give No Man's Land
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| 10. | The Vamp's Blues
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Jazz
Recorded Hollywood, 1957
Charlie Mariano (as)
with
Jerry Dodgion (as, fl), Victor Feldman (vb), Jimmy Rowles (p), Monty Budwig (b) and Shelly Manne (d)
Pianist Russ Freeman, who produced this record, related it this way: “The last time we were (with Shelly Manne’s quintet) in San Francisco, we went to blow at some motel on the outskirts of town one afternoon. There were some other musicians there; we took turns playing. Jerry (Dodgion) was there. The afternoon wound up with Charlie and Jerry playing the blues with a rhythm section for about twenty minutes. It was one of the most memorable experiences I have ever had, and I wasn’t even playing! The co-leaders, both “hard” saxists in style, reflect their capable mastery of the work of those they admire. Dodgion likes Phil Woods, and Mariano is more closely Parkerish. “I hear Charlie every night on my band,” said Shelly Manne, “and his melodic sense never ceases to amaze me. His lines are beautiful and he solos with great continuity.”
Charlie Mariano
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Nov 12, 1923 in Boston, MA
Died: Jun 16, 2009 in Cologne, Germany
Genre: Jazz
Styles: Bop, Cool, Hard Bop, West Coast Jazz
Charlie Mariano's career can easily be divided into two phases. Early on he was a fixture in Boston, playing with Shorty Sherock (1948), Nat Pierce (1949-1950), and his own groups. After gigging with a band co-led by Chubby Jackson and Bill Harris, Mariano toured with Stan Kenton's Orchestra (1953-1955) which earned him a strong reputation. He moved to Los Angeles in 1956 (working with Shelly Manne and other West Coast jazz stars), returned to Boston to teach in 1958 at Berklee, and the following year, had a return stint with Kenton. After marrying Toshiko Akiyoshi, Mariano co-led a group with the pianist on and off up to 1967, living in Japan during part of the time and also working with Charles Mingus (1962-1963).
The second phase of his career began with the formation of his early fusion group Osmosis in 1967. Known at the time as a strong bop altoist with a sound of his own developed out of the Charlie Parker style, Mariano began to open his music up to the influences of folk music from other cultures, pop, and rock. He taught again at Berklee, traveled to India and the Far East, and in the early '70s settled in Europe. Among the groups Mariano has worked with have been Pork Pie (which also featured Philip Catherine), the United Jazz & Rock Ensemble, and Eberhard Weber's Colours. Charlie Mariano's airy tones on soprano and the nagaswaram (an Indian instrument a little like an oboe) fit right in on some new agey ECM sessions and he also recorded as a leader through the years for Imperial, Prestige, Bethlehem, World Pacific, Candid (with Toshiko Akiyoshi in 1960), Regina, Atlantic, Catalyst, MPS, CMP, Leo, and Calig, among others.
---Scott Yanow, All Music Guide |
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