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Kérjen
árajánlatot! |
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| 1. | Invocation
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| 2. | Kalimba Suite
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| 3. | A Silken Road
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| 4. | Fertile Field
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| 5. | Dervishes
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| 6. | Ziggurat
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| 7. | Sisters
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| 8. | Circlings
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| 9. | Chanson
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| 10. | Windows
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| 11. | Marlowe
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| 12. | Mass
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| 13. | Pat & Joe
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| 14. | Taylor Made
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| 15. | A Piece, a Chord
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| 16. | Monks/The Shepherd
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Jazz
Recorded at Lake Of The Isles, Minneapolis, Minnesota; The Hit Factory, New York, New York.
Bobby McFerrin - Main Performer, Roland XP 80, Vocal Percussion, Vocals
Chick Corea - Fender Rhodes, Piano
Cyro Baptista - Percussion
Gil Goldstein - Accordion, DX-7, Fender Rhodes, Producer
Keith Underwood - Contrabass Flute, Wood Flute
Omar Hakim - Drums
Richard Bona - Bass, Guitar, Percussion
Singer Bobby McFerrin is one of the most unique figures in contemporary music. His forays into jazz, classical, pop, and ethnic music make him one of the most diverse performers of his generation. On BEYOND WORDS the singer teams up with a superior ensemble of musicians to present 16 tracks of hopeful, uplifting music.
As you might expect, BEYOND WORDS is a cornucopia of ethereal sounds and genre combinations. The only "standard" tune on the album is Chick Corea's "Windows." McFerrin and the composer himself team up on this piece, and the interaction between them is full of rich chemistry and spontaneity. Other tracks such as "Kalimba Suite" evoke an African feel, undoubtedly fueled by Cameroonian bass player Richard Bona. There are no lyrics on the record (at least none that are discernable); McFerrin's approach to singing here is similar to some of his earlier efforts, layering numerous vocal tracks on top of one another, creating brilliant washes and punchy syllabic grooves.
* Bob Ludwig - Mastering
* Jon Kaplan - Pro-Tools
* Kevin Killen - Mixing
* Lawrence Manchester - Pro-Tools
* Linda Goldstein - Producer
* Max Feldman - Mixing
* Michael McCoy - Assistant Engineer, Mixing
* Neil Dorfsman - Engineer, Mixing
Creative vocalist Bobby McFerrin's return to Blue Note after a nearly ten-year absence indicates a possible desire for a return to improvised jazz, and in a way distancing himself from the classical works he had become increasingly associated with. Working again with pianist Chick Corea and producer Linda Goldstein, his 2002 album, Beyond Words, is reminiscent of the other McFerrinCorea collaborations (Play, The Mozart Sessions), but somehow these mostly improvised works lack the spark that their previous partnerships have created. Ably backed by Corea's bright piano, Omar Hakim on drums, and Richard Bona on bass, the songs feel to be all the same texture for the most part, never reaching any kind of a peak throughout the album. Beyond Words is a moody and dark affair, with subtle layers of McFerrin's undulating vocals weaving in and out of the musical bed, but instead of sounding earthy and natural, the album is punctuated by synthesized instruments that pull the recordings dangerously close to smooth jazz territory. Unfortunately, by taking one of the most articulate players of man's earliest instrument and layering it in slick, fretless basslines and synthetic Roland XP-80 chords, it almost defeats the purpose of hearing his voice altogether. Still, it is an excellently performed and cleanly produced document of both McFerrin and Corea's abilities, ideal for gentle background textures on a night in alone.
---Zac Johnson, All Music Guide
Bobby McFerrin
Active Decades: '80s, '90s and '00s
Born: Mar 11, 1950 in New York, NY
Genre: Vocal
Styles: Neo-Bop, Pop/Rock, Post-Bop, Vocal Jazz
Vocal virtuoso Bobby McFerrin ranks among the most distinctive and original singers in contemporary music -- equally adept in jazz, pop and classical settings, his octave-jumping trademark style, with its rhythmic inhalations and stop-on-a-dime shifts from falsetto to deep bass notes, often sounds like the work of at least two or three singers at once, while at the same time sounding quite unlike anyone else. The son of husband-and-wife classical singers, McFerrin was born in New York City on March 11, 1950, later studying piano at California State College at Sacramento and Cerritos College. After touring behind the Ice Follies, he performed with a series of cover bands, cabaret acts and dance troupes before making his vocal debut in 1977. While living in New Orleans, he sang with the group Astral Projection before relocating to San Francisco. There he met legendary comedian Bill Cosby, who arranged for McFerrin to appear at the 1980 Playboy Jazz Festival.
A performance at the 1981 Kool Jazz Festival led to a contract with Elektra, and the following year McFerrin issued his self-titled debut LP. With 1984's The Voice, he made jazz history, recording the first-ever solo vocal album (sans accompaniment or overdubbing) to be released on a major label. His Blue Note debut Spontaneous Inventions followed in 1985 and featured contributions from Herbie Hancock, the Manhattan Transfer (on the Grammy-winning "Another Night in Tunisia") and comic Robin Williams; McFerrin also earned mainstream exposure through his unique performance of the theme song to the television hit The Cosby Show as well as a number of commercial spots. With 1988's Simple Pleasures, he scored a chart-topping pop smash with "Don't Worry, Be Happy"; around that time, he also formed the ten-member a cappella group Voicestra, featured on 1990's Medicine Music.
With 1992's Hush, McFerrin shifted gears to team with acclaimed cellist Yo-Yo Ma; the record remained on the Billboard Classical Crossover charts for over two years. The jazz release Play, a collaboration with pianist Chick Corea, appeared in 1992 as well. McFerrin returned to classical territory in 1995 with Paper Music, a collection of interpretations of works by Mozart, Bach and Tchaikovsky recorded with the Saint Paul Chamber Orchestra, (which he joined as Creative Chair a year prior). For 1996's Bang! Zoom he teamed with members of the Yellowjackets; a second collaboration with Corea, The Mozart Sessions, appeared later that same year. With 1997's Circlesongs, McFerrin returned to his roots, recording an entire album of improvised vocal performances. He then recorded a collaborative album of classical and jazz standards for Sony Music Special Products in 2001. It teamed him with such esteemed musicians as Herbie Hancock, Yo-Yo Ma, and the Saint Paul Chamber Orchestra. A year later Blue Note released his Beyond Words album, McFerrin's first work for the label in nearly a decade. It featured a band comprised of Chick Corea, Richard Bona, Omar Hakim, Cyro Baptista, and Gil Goldstein.
--- Jason Ankeny, All Music Guide |
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