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Trippy Notes for Bass & Remixes
Doug Wimbish
első megjelenés éve: 2008
(2008)

CD
4.161 Ft 

 

IMPORT!
Kosaramba teszem
1.  Quasimodo
2.  Perplex
3.  Bedwood
4.  Gangster
5.  Just Another Minute
6.  Arabic Cat
7.  Leave It Alone
8.  Veneered
9.  Glorification Chant
10.  Logdrum
11.  Splash
12.  Will & Skip
13.  Glory
14.  Daze
15.  Pass It Around
16.  Logdrum
Sherwood Remix
17.  Anthem Remix
18.  Leave It Alone Remix
19.  Arabic Cat Remix
Jazz / Rock
Ethnic Fusion
Dub
Smooth Jazz

Doug Wimbish - 12-String Bass Guitar, 5-string Bass, 6-String Bass, Bass (Acoustic), Bass (Electric), Engineer, Fretless Bass, Keyboards, Midi Bass, Mixing, Noise, Producer, Vocals
Alex Forster - Saxophone
Keith LeBlanc - Drums, Percussion
Nigel Butler - Keyboards, Reprogramming, Special Effects
Skip McDonald - Editing, Guitar, Keyboards, Producer
Sussan Deyhim - Vocals
Talvin Singh - Percussion, Tabla
Will Calhoun - Clay Drums, Drums, Percussion, Producer

* Adrian Sherwood - Editing, Engineer, Keyboards, Mixing, Producer
* Alan Branch - Editing
* Andy Montgomery - Engineer
* Nick Kupfer - Engineer
* Philipp "Pille" Podeus - Cover Design
* Tony Hit Man Brown - Engineer

Those who know bassist Doug Wimbish from his work with Tackhead, Strange Parcels, and Jungle Funk may find his first solo album to be disconcertingly tame. Where his playing in most previous contexts has been wild, funky, and sometimes anarchic, drawing freely on jazz, dub, and punk influences, here he's in an almost contemplative mood. It's not that there are no beats -- "Bedwood," with its chugging mid-tempo groove and an ambience lifted straight from labelmates African Head Charge, is propulsive enough, "Logdrum" is based on some seriously booty-moving loops, and "Will & Skip" (a tribute to drummer Will Calhoun and guitarist Skip McDonald, Wimbish's frequent collaborators) has a definite funk underpinning. But the prevailing mood here is gently atmospheric, almost spiritual. "Glory" sounds like a field recording from an electronic rain forest; "Glorification Chant" sounds like a sort of North African qawwali variant in 12/8 time. Those hoping for bone-shaking grooves and crazier-than-thou Adrian Sherwood mixes may be disappointed, but they shouldn't be -- this is a very beautiful piece of work. [Dude's 2008 edition featured new album art and four bonus tracks.]
---Rick Anderson, All Music Guide

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