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*Super Audio CD* |
| 5.061 Ft
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| 1. | Sentenza del Cuore: Allegro
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| 2. | Sentenza del Cuore: Interlude
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| 3. | Sentenza del Cuore: Adagio
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| 4. | Goodbye Pork Pie Hat
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| 5. | Sink or Swim
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| 6. | Zimbabwe
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| 7. | Low-Lee-Tah
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| 8. | Love and Happiness
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| 9. | Something Pretty
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| 10. | Trouble No More
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| 11. | Funky Waltz
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| 12. | Transparence
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| 13. | Somebody's Got to Win (Somebody's Got to Lose)
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| 14. | Song for Emily
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Jazz / Jazz-Pop, Folk-Jazz
Larry Coryell - Guitar, Liner Notes
Julian Coryell - Guitar
Murali Coryell - Vocals, Guitar
Alphonse Mouzon - Percussion
Brian Torff - Bass
Barry Wolifson Engineer
Catherine Kernen Production Coordination
Chris Herles Assistant Engineer
David Chesky Producer
David Windmuller Assistant Engineer
Janette Beckman Photography
John Pizzarelli Liner Notes
Lisa Hershfield Production Assistant
Lisa J. Marks Project Director
Nicholas Prout Mastering, Editing
Nick Prout Mastering, Editing
Norman Chesky Executive Producer
Peter Volpe Assistant Engineer
Rick Eckerle Assistant Engineer
Sandy Palmer Grassi Production Coordination, Engineer
Steve Guttenberg Assistant Producer
Like father, like sons, acoustic guitarist Larry Coryell and sons Julian and Murali get together for their first recorded project, and it sounds fine. Larry tends to dominate improv space, but doesn't get in the way of his kids, who are adept in their own bluesy ways. Bassist Brain Torff and percussionist Alphonse Mouzon (no drum kit, only hand drums and tambourine) join on several selections. Murali sings in his down-home, slightly affectated manner for three cuts, quite soulfully on the Rahsaan Roland Kirk lyric re: Lester Young on "Goodbye Porkpie Hat," on the original pop blues "Somebody's Got to Win-Lose," and on Al Green's simple, funk-blues "Love & Happiness." Julian has two features by himself, with Torff only on the easy two-beat "Something Pretty" and the nice waltz "Song for Emily." The hippest workout between the three occurs during the bulk of Julian's "Sink or Swim," while up and down, cascading and tumbling, waterfall crystalline-clear guitars shine on Larry's "Transparance." Two tracks are unearthed from Larry's days with The Eleventh House: the stunning "Low-Lee-Tah" is dark, moody, and ominous, with Larry playing the intricate melody first all the way through and his sons joining in with heavy embellishments and startling improvisation; "Funky Waltz" is not so much funky as the loud original, but shaded with Native American punctuations from Mouzon. Though some speedy lines crop up here and there, this is a more musical than pyrotechnical display that proves quite enjoyable throughout. A very good first step for the Coryell family's musical bonding recorded for public display, this is definitely recommended. ~ Michael G. Nastos, All Music Guide |
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