  |
|
|
 |
| Flute for Thought |
| Deepak Ram |
| első megjelenés éve: 1998 |
|
| (2006)
|
|
CD |
| 7.041 Ft
|
|
1 Space-Time
Bass Guitar [Bass], Keyboards – Russell Herman
Flute, Keyboards – Deepak Ram
Percussion [Special Effect], Congas, Timbales, Cowbell – Thomas Dyani
5:47
2 Kitu
Bass Guitar [Electric Fretless Bass] – Julian Crampton
Congas, Bongos, Percussion [Special Effect] – Thomas Dyani
Flute, Keyboards – Deepak Ram
Kora, Cello – Tunde Jegede
Vocals – Mukesh Desai
6:46
3 Father Of Flute
Flute – Deepak Ram
2:24
4 Glimpsed Middle Reality
Kora – Tunde Jegede
1:13
5 Cabbage And Roti
Bass Guitar [Bass], Drum Programming – Russell Herman
Congas, Bata, Djembe, Shaker, Cowbell, Percussion [Special Effect] – Thomas Dyani
Flute, Keyboards – Deepak Ram
Kora – Tunde Jegede
4:51
6 Upasana - Between Notes
Flute, Keyboards – Deepak Ram
2:31
7 A Night In Lenasia
Composed By, Flute, Keyboards, Vocals – Deepak Ram
Electric Bass – Julian Crampton
Talking Drum, Shaker – Nana Tsiboe
Udu [Udo], Guiro – Ansuman Biswas
4:18
8 Vrindavan Lullaby
Flute, Keyboards [Bells], Vocals – Deepak Ram
2:14
9 Prince Down Gerty Street
Flute, Keyboards, Tabla – Deepak Ram
Percussion [Special Effect] – Thomas Dyani
1:43
10 Between Thoughts
Flute, Keyboards – Deepak Ram
Percussion [Special Effect] – Thomas Dyani
10:10
Arranged By Deepak Ram
Composed By Deepak Ram, Tunde Jegede (track 4)
Producer – Russell Herman
Programmed By Deepak Ram, St John Mantle, Mark Williams, Russell Herman
Recorded at Livingston Studios, London - May, 1997.
Mixed at Livingston Studios, London - May/June, 1997.
Track 1: (1997).
Track 2: (For My Wife, 1993).
Featured in Buddha Bar I
Track 3: (Dedicated to my teacher, Pandit Hariprasad Chaurasia).
Track 5: (For my Mother, 1987) - It was a cold and rainy day in 1967. We had to stay in class during the first lunch break at First Primary School in Lenasia. It was too cold to play outside. I opened my lunch box and found cabbage and roti, so lovingly prepared by my mother. Hungrily, I relished the cabbage and roti while watching the rain through the classroom window. I still remenber the taste. Thanks, Mom.
Track 6: Upasana, a discipline of observing silence in word and thought while trying to gaze within, where bliss awaits. Like the silence between musical notes, where music awaits.
Track 7: a movie at Apsara, a chip roll special, watching some 'bra' tilt the pinball machine...
Featured in Buddha Bar III
Track 8: (1994)
Track 9: (For My Father, 1996) - Trotting down the streets of Sophiatown, Prince was a horse that pulled a cart, from where vegetables were sold. This was one of the many tasks my father undertook, to provide opportunities for me that seemed so far removed, against the odds and constraints of apartheid. Thanks, Dad.
Track 10: (1987) - The flute, a seer sits in deep meditation chanting the various shades of that primordial sound, Aum, trying to reach that silent space between thoughts.
That all-pervading 'silence' of which he is a part.
An angel, in the form of a piano, beckons him while the strings in the form of three chords (Brahma, Vishnu and Mahesh) cradles him.
He dances in the bliss.
Suddenly! Body-mind consciousness re-emerges and he finds himself in the chaos once again, struggling to re-enter that blissful place between thoughts. The angel (Piano) re-appears; he dances again in that bliss.
These tunes were all written during the past ten years. Some of them are extracts and themes from larger compositions written for western classical and jazz ensembles. They all use elements of indian music in varying degrees.
Deepak Ram plays on Indian flutes that were made by the late Shri Suryakant V. Limaye of Mumbai, India.
Packaged in a Jewel case + 4-page booklet. |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
