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7.257 Ft
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1. | You Don't Know What Love Is
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2. | Come on in My Kitchen
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3. | Tell Me You'll Wait for Me
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4. | Children of the Night
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5. | Hellhound on My Trail
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6. | Black Crow
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7. | Sankofa
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8. | Estrellas
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9. | Redbone
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10. | Tupelo Honey
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11. | Blue Light 'Til Dawn
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12. | I Can't Stand the Rain
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Jazz
Cassandra Wilson - Arranger, Vocals Bill McClellan - Drums, Percussion Billy Earl McClellan - Percussion Brandon Ross - Arranger, Guitar, Guitar (Classical), Guitar (Steel) Charles Burnham - Mandocello, Violin Chris Whitley - Arranger, Guitar Cyro Baptista - Arranger, Percussion Don Byron - Clarinet Gib Wharton - Arranger, Guitar (Steel), Pedal Steel Jeff Haynes - Arranger, Percussion Kenny Davis - Arranger, Bass Kevin Johnson - Drums (Snare), Percussion Lance Carter - Drums, Drums (Snare), Percussion Lonnie Plaxico - Bass Olu Dara - Cornet Tony Cedras - Accordion Vinx - Percussion, Vocals, Voices
* Bill Emmons - Assistant Engineer * Craig Street - Producer * Danny Kopelson - Engineer, Mixing * Jamey Staub - Engineer * Jimmy Douglass - Engineer, Mixing * Joe Hogan - Assistant Engineer * Julio Peralta - Assistant Engineer * Marl Larson - Art Direction, Design * Wally Traugott - Mastering
Cassandra Wilson has steadfastly refused to be pigeonholed or confined to any stylistic formula. Her highly anticipated Blue Note debut may stir renewed controversy, as she is once again all over the place. She begins the set with her intriguing version of "You Don't Know What Love Is." Then she moves from two Robert Johnson covers ("Come on in My Kitchen" and "Hellhound on My Trail") through rock compositions from Van Morrison and Joni Mitchell, her own title track, blues cut "Redbone," and a piercing version of "I Can't Stand the Rain" that can hold up to comparisons with Ann Peebles' classic. She doesn't have Johnson's menacing quality (who does?), but does invoke an equally compelling air. Wilson has great timing, pacing, and delivery, and certainly has blues sensibility in her sound. ---Ron Wynn, All Music Guide
Cassandra Wilson
Active Decades: '80s, '90s and '00s Born: Dec 04, 1955 in Jackson, MS Genre: Vocal Styles: Contemporary Jazz, Free Funk, M-Base, Standards, Vocal Jazz, World Fusion
Although her recording career has been somewhat erratic, Cassandra Wilson became one of the top jazz singers of the '90s, a vocalist blessed with a distinctive and flexible voice who is not afraid to take chances. She began playing piano and guitar when she was nine and was working as a vocalist by the mid-'70s, singing a wide variety of material. Following a year in New Orleans, Wilson moved to New York in 1982 and began working with Dave Holland and Abbey Lincoln. After meeting Steve Coleman, she became the main vocalist with the M-Base Collective. Although there was really no room for a singer in the overcrowded free funk ensembles, Wilson did as good a job of fitting in as was possible. She worked with New Air and recorded her first album as a leader in 1985. By her third record, a standards date, she was sounding quite a bit like Betty Carter. After a few more albums in which she mostly performed original and rather inferior material, Cassandra Wilson changed directions and performed an acoustic blues-oriented program for Blue Note called Blue Light 'Til Dawn. By going back in time, she had found herself, and Wilson has continued interpreting in fresh and creative ways vintage country blues and folk music up until the present day. During 1997 she toured as part of Wynton Marsalis' Blood on the Fields production. Traveling Miles, her tribute to Miles Davis, followed two years later. For 2002's Belly of the Sun, she drew on an array of roots musics -- blues, country, soul, rock -- to fashion a record that furthered her artistic career while still aligning well with trends in popular music. Glamoured, released in 2003, posed a different kind of challenge; half the material was composed by Wilson herself. Unwilling to stand still, Wilson gently explored sampling and other hip-hop techniques for 2006's Thunderbird. --- Scott Yanow, All Music Guide |
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