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| Wild Flower |
| Hubert Laws |
| első megjelenés éve: 1972 |
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| (2008)
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CD |
| 4.593 Ft
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| 1. | Wild Flower
|
| 2. | Pensativa
|
| 3. | Equinox
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| 4. | Ashanti
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| 5. | Motherless Child
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| 6. | Yoruba
|
Jazz
Aaron Rosand - Violin
Airto Moreira - Percussion
Alan Shulman - Cello
Bernard "Pretty" Purdie - Drums
Bernard Eichen - Violin
Chick Corea - Piano
David Nadien - Violin
Gary Burton - Vibraphone
Gene Orloff - Violin
George Ricci - Cello
Guy Lumia - Violin
Harold Coletta - Viola
Harry Lookofsky - Violin
Harry Zaratzian - Viola
Hubert Laws - Flute, Flute (Alto), Main Performer, Piccolo
John Pintavalle - Violin
Julien Barber - Viola
Matthew Raimondi - Violin
Mongo Santamaria - Conga
Paul Gershman - Violin
Richard Bock - Cello
Richard Dickler - Viola
Ron Carter - Bass
Selwart Clarke - Viola
Seymour Barab - Cello
Hubert Laws is a master jazz flutist, performing in multiple creative directions since the late 50's. "Wild Flower" is Laws' memorable 1972 release, recorded in his most productive period.
* Alex Karas - Production Coordination
* David Gahr - Photography
* Gene Paul - Mastering
* Hal Grant - Arranger
* Joel Dorn - Annotation, Producer
* Lewis Hahn - Engineer
* Nancy Dwyer - Cover Illustration
* Neal Ceppos - Remixing
* Page Simon - Graphic Design
* Richard Mantel - Art Direction, Design
A nice date from an earlier Laws period with a harder tone and more traditional jazz direction.
---Ron Wynn, All Music Guide
Hubert Laws
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Nov 10, 1939 in Houston, TX
Genre: Jazz
Styles: Classical, Instrumental Pop, Jazz-Funk, Hard Bop, Jazz-Pop, Crossover Jazz
A talented flutist whose musical interest was never exclusively straight-ahead jazz, Hubert Laws exceeded Herbie Mann in popularity in the 1970s when he recorded for CTI. He was a member of the early Jazz Crusaders while in Texas (1954-1960) and he also played classical music during those years. In the 1960s, Laws made his first recordings as a leader (Atlantic dates from 1964-1966) and gigged with Mongo Santamaria, Benny Golson, Jim Hall, James Moody, and Clark Terry, among many others. His CTI recordings from the first half of the 1970s made Laws famous and were a high point, particularly compared to his generally wretched Columbia dates from the late '70s. He was less active in the 1980s, but has come back with a pair of fine Music Masters sessions in the 1990s. After those releases, a tribute to Nat King Cole arrived in 1998, followed four years later by a stab at Latin jazz, Baila Cinderella. The sharp and cool Moondance appeared in spring 2004. Hubert Laws has the ability to play anything well, but he does not always seem to have the desire to perform creative jazz.
---Scott Yanow, All Music Guide |
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