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Kérjen
árajánlatot! |
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| 1. | Voice From the Past
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| 2. | Legends
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| 3. | Moor
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| 4. | Allegory
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| 5. | Paradigm
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| 6. | Ode for Tomtem
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Jazz / Avant-Garde, Post-Bop, Avant-Garde Jazz
Recorded: August 1981
Gary Peacock bass
Jan Garbarek tenor and soprano saxophones
Tomasz Stanko trumpet
Jack DeJohnette drums
* Dieter Rehm - Design, Photography
* Jan Erik Kongshaug - Engineer
* Manfred Eicher - Producer
This abstract quartet recording by bassist Gary Peacock features Jan Garbarek on tenor and soprano saxes, Tomasz Stanko on trumpet, and Jack DeJohnette on drums. The interplay between Peacock and DeJohnette, captured roughly two years before the release of the first Keith Jarrett standards record, is especially interesting. One only wishes the horns weren't so tinny. Highlights include the freebopping "Moor" (a piece that dates back to the early '60s), the lyrical "Ode for Tomten," and the chill-inducing "Voice From the Past." (The latter resurfaced on 2001's Amaryllis, with Marilyn Crispell and Paul Motian.)
---David R. Adler, All Music Guide
Gary Peacock
Active Decades: '60s, '70s, '80s and '90s
Born: May 12, 1935 in Burley, ID
Genre: Jazz
Styles: Avant-Garde, Post-Bop, Free Jazz, Avant-Garde Jazz
A subtle but adventurous bassist, Gary Peacock's flexibility and consistently creative ideas have been an asset to several important groups. He was originally a pianist, playing in an Army band while stationed in Germany in the late '50s. Peacock switched to bass in 1956, staying on in Germany after his discharge to play with Hans Koller, Attila Zoller, Tony Scott, and Bud Shank. In 1958 he moved to Los Angeles where he performed with Barney Kessel, Don Ellis, Terry Gibbs, Shorty Rogers, and (most importantly) Paul Bley, among others. After moving to New York in 1962, Peacock worked with Bill Evans (1962-1963), the Paul Bley trio, Jimmy Giuffre, Roland Kirk, and George Russell. In 1964, after a brief stint with Miles Davis, Peacock started an association with Albert Ayler in Europe, also playing with Roswell Rudd and Steve Lacy. Peacock alternated between Ayler and Paul Bley for a time and returned briefly to Miles Davis in the late '60s. After a period in Japan (1969-1972), Peacock studied biology (1972-1976), worked with Bley, and off and on from the late '70s has played (and recorded) in a trio with Keith Jarrett and Jack DeJohnette.
---Scott Yanow, All Music Guide |
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