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4 x DVD video |
Kérjen
árajánlatot! |
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| 1. DVD video tartalma: |
| 1. | The Secret Seed
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| 2. | The Observer
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| 3. | Cry for the Fire
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| 4. | Man's World (Australia)
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| 5. | From the Plains to Mexico
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| 6. | Bury Me Not
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| 7. | How to Get a Head
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| 8. | Dinah and the Unclean Skin
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| 9. | Fire Fall
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| 10. | Man's World (San Francisco)
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| 11. | Constantinople
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| 12. | One Minute Movies
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| 13. | Burn Baby Burn
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| 14. | Benny the Bouncing Bump
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| 15. | Bridegroom of Blood
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| 16. | Ty's Freak Show (Nec)
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| 17. | Freak Show Live/Intro
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| 18. | Freak Show Live/Herman
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| 2. DVD video tartalma: |
| 1. | snippet
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| 2. | Penn Jillette's Greeting
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| 3. | snippet
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| 4. | Marching to the Sea
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| 5. | snippet
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| 6. | Mole Show (End of Act 1)
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| 7. | snippet
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| 8. | Happy Home
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| 9. | snippet
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| 10. | Rich Shupe's Greeting
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| 11. | snippet
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| 12. | Hello Skinny
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| 13. | snippet
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| 14. | Picnic in the Jungle
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| 15. | snippet
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| 16. | Monkey and Bunny
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| 17. | snippet
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| 18. | Walter Westinghouse
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| 19. | snippet
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| 20. | David Sanborn's Greeting
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| 21. | Buckaroo Blues/The Stampede
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| 22. | snippet
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| 23. | Black Barry/Engine 44/Voodoo Queen
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| 24. | snippet
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| 25. | Shorty and Shirley
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| 3. DVD video tartalma: |
| 1. | snippet
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| 2. | Disfigured Night Intro
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| 3. | snippet
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| 4. | Disfigured Night (Excerpt 1)
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| 5. | snippet
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| 6. | Disfigured Night (Excerpt 2)
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| 7. | snippet
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| 8. | Wormwood (Opening)
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| 9. | snippet
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| 10. | I Hate Heaven
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| 11. | snippet
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| 12. | Hanging by His Hair
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| 13. | snippet
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| 14. | Mr. Misery
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| 15. | snippet
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| 16. | Judas Saves
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| 17. | snippet
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| 18. | Old Time Religion
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| 19. | snippet
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| 20. | Icky Flix (Theme)
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| 21. | snippet
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| 22. | The Gingerbread Man
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| 23. | snippet
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| 24. | Just for You
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| 25. | snippet
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| 26. | Buckaroo Blues Theme
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| 4. DVD video tartalma: |
| 1. | Live Intro
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| 2. | American Band Story [*]
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| 3. | FourtyFour [*]
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| 4. | snippet
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| 5. | Six More Miles [*]
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| 6. | snippet
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| 7. | The Party (Exercpt) [*]
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| 8. | snippet
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| 9. | Eloise [*]
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| 10. | snippet
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| 11. | Numb Erone/Satisfaction/Kick a Cat [*]
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| 12. | snippet
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| 13. | Howard [*]
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| 14. | snippet
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| 15. | Loss of Innocence [*]
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| 16. | snippet
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| 17. | Tension of the String [*]
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| 18. | snippet
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| 19. | Constantinople [*]
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| 20. | snippet
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| 21. | Herman the Human Mole [*]
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| 22. | snippet
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| 23. | Black [*]
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| 24. | snippet
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| 25. | Snakey Wake (Exercpt) [*]
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| 26. | snippet
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| 27. | Jack, The Boneless Boy [*]
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| 28. | snippet
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| 29. | Kamikazi Lady [*]
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| 30. | snippet
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| 31. | D Is for Doorknob [*]
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| 32. | snippet
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| 33. | Walter Westinghouse [*]
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Compilation of live music and video 1971-2002
Disc 1: Same as Live! ...On the Outskirts DVD, but 2 different easter egss
Disc 2: The Mole Show '82, The 13th Anniversary Show '86, Cube E '89
Disc 3 Disfigured Night '97, Wormwood '99, Icky Flix '01
Disc 4: Bonus Disk - One Night Stands (rare & unreleased)
This box set collection of live performances includes 1 DVD and 3 CD's. Disc 1 (DVD) features television and live performances from The Mole Show, The 13th Anniversary Show, Cube E: History Of American Music in 3 EZ Pieces, and Wormwood, spanning the years 1983-1999. Disc 2 (CD) includes portions of The Mole Show, The 13th Anniversary Show, and Cube E. Disc 3 (CD) includes live performances from Disfigured Night, Wormwood, and Icky Flix. The bonus CD (disc 4) entitled One Night Stands features miscellaneous live performances from one-off shows spanning from 1971 to 1998.
A. Deckbar - Guest Appearance
A. Novakova
Andy Corrigan - Engineer, Tour Manager
Bobby Johns - Video Editor
C. Kellas - Engineer, Mixing
C. LeMaitre - Guest Appearance
C. McGregor - Lighting Design, Stage Crew
C. VanRaalte - Guest Appearance
Carla Fabrizio - Guest Appearance
Christine Shelley - Production Coordination
Clint Gilbert - Engineer
D. Paulsen - Guest Appearance
David O. Weissman - Technical Consultant
DJ Blue
Don Jackovich - Guest Appearance
Doug Carney - Camera Operator, Editing, Media Consultant
Douglas Sandberg - Photography
E. Benskin - Guest Appearance
Erik Koizol - Camera Operator
F. Syacina
G. Arts - Engineer
G. Ewart - Guest Appearance
Gamelan Sekar Jaya - Guest Appearance
Gary Chapman - Engineer
Gert de Bruijn - Engineer, Mixing
Graeme Whifler - Engineer, Photography
Guido Randzio - , Executive Producer
H. Geerling - Mixing
H. Koersen
H. Purdum - Lighting
H. Richard Johnston - Mixing
Hardy Fox
Henrik Kam - Photography
Homer Flynn
Isabelle Barbier - Guest Appearance
J. Clem - Guest Appearance
Jacqueline Kennedy - Guest Appearance
Jim Knipfel - Liner Notes
Jindra Dolansky
John Anderson - Editing
Jonathan Formula - Engineer, Mixing
K. French - Guest Appearance
K. Newell - Guest Appearance, Lighting
Kamil Kruta
Ken Friedman - Photography
L. Kavalova
Laurie Amat - Guest Appearance
Lucia Baldini - Photography
Luke Wouters - Engineer
M. Matyas
M. Postma
M. Salvatore - Guest Appearance
Marc Finkel - Camera Operator
Maria Harvey - Guest Appearance
Miroslav Wanek
N. Senada - Guest Appearance
Nolan Cook - Guest Appearance
P.L. Perkins - Engineer, Guest Appearance, Mixing
Peggy Honeydew - Guest Appearance
Penn Jillette - Guest Appearance
R. Brody - Guest Appearance
Randy Bachman - Photography
Raymond McCleod - Engineer
Residents - Art Direction, Engineer, Interface Designer, Mixing
Rich Shupe - Photography, Tour Manager
Richard McCaffrey - Photography
Rob Street - Camera Operator
Romek Hanzlik
Ronald M. Davis - Performer
Ronald Trijber - Engineer, Mixing
S. McLennan - Guest Appearance
S. Mitchell - Guest Appearance
S. Powers
Scott Fraser - Engineer, Mixing
Shozo Kashiwagi - Engineer, Mixing
Simon Pargeter - Authoring, Camera Operator, Mastering
Snakefinger - Guest Appearance
Starr Sutherland - Art Direction, Camera Operator, Interface Designer, Producer, Video Producer
Taggart Siegel - Camera Operator
Terry Rundgren - Engineer, Mixing
Theo Janssen - Engineer, Mixing
Toby Dammit - Guest Appearance
Tom Timony - Guest Appearance
Tony Grob - Camera Operator
Ty Bardi - Animation, Design
V. Gut
V. Helebrant
Wayne Doba
Residents
Active Decades: '70s, '80s, '90s and '00s
Born: 1966 in Shreveport, LA
Genre: Rock
Styles: Avant-Garde, Experimental, Post-Punk, No Wave, Mixed Media
Over the course of a recording career spanning several decades, the Residents remained a riddle of Sphinx-like proportions; cloaking their lives and music in a haze of willful obscurity, the band's members never identified themselves by name, always appearing in public in disguise -- usually tuxedos, top hats and giant eyeball masks -- and refusing to grant media interviews. Drawing inspiration from the likes of fellow innovators including Harry Partch, Sun Ra, and Captain Beefheart, the Residents channeled the breadth of American music into their idiosyncratic, satiric vision, their mercurial blend of electronics, distortion, avant-jazz, classical symphonies and gratingly nasal vocals reinterpreting everyone from John Philip Sousa to James Brown while simultaneously expanding the boundaries of theatrical performance and multimedia interaction.
It was commonly accepted that the four-member group emigrated to San Francisco, CA, from Shreveport, LA, at some point in the early '70s. According to longtime group spokesman Jay Clem -- one member of the so-called Cryptic Corporation, the band's representative body -- they received their name when Warner Bros. mailed back their anonymous demo tape, addressed simply "for the attention of residents." Finding no takers for their oddball sounds, the Residents founded their own label, Ralph Records, for the purposes of issuing their 1972 debut "Santa Dog," released in a pressing of 300 copies which were mailed out to luminaries from Frank Zappa to President Richard Nixon. Their debut full-length, 1974's Meet the Residents, reportedly sold fewer than 50 copies before the group was threatened with a lawsuit from Capitol Records over its cover, a twisted Dadaesque parody of the art to Meet the Beatles.
The follow-up, 1974's neo-classical excursion Not Available, was recorded with the intention of its music remaining unissued; locked in cold storage upon its completion, only a 1978 contractual obligation resulted in its eventual release. Released in 1976, Third Reich 'n' Roll was the next official offering, a collection of pop oldies covers presented in a controversial jacket portraying Adolf Hitler clutching an enormous carrot. After a 1976 concert in Berkeley, CA which cloaked the Residents behind an opaque screen, wrapped up like mummies -- the most famous of only three live performances mounted during their first decade of existence -- they issued an abrasive 1977 cover of the Rolling Stones' "Satisfaction," which became an underground hit on both sides of the Atlantic at the peak of the punk movement. As the decade drew to a close, the group released a flurry of recordings, further building upon their growing cult following -- among them were 1977's Duck Stab/Buster & Glen; 1979's Eskimo (purportedly a collection of native Arctic chants); and 1980's Commercial Album, a compilation of 40 one-minute "pop songs" that aired on San Francisco radio only because the Residents played them during the advertising time they bought.
In 1981 the Residents embarked upon their Mole Trilogy, a prog rock collection of albums -- 1981's The Mark of the Mole, 1982's The Tunes of Two Cities, and 1985's The Big Bubble -- recounting an epic battle between a pair of tribes named the Moles and the Chubs; a lavish, multimedia tour, The Mole Show, followed. In the interim, the group also mounted another ambitious project, the American Composer series, although only two of the projected titles -- 1984's George and James (a reinterpretation of songs by George Gershwin and James Brown) and 1986's Stars and Hank Forever (celebrating John Philip Sousa and Hank Williams) -- ever appeared. Instead, in the wake of financial and corporate difficulties which resulted in the creation of a New Ralph label, the Residents issued the one-off God in Three Persons (a talking blues outing), and 1989's The King and Eye (a reinterpretation of Elvis Presley standards).
After losing control of the Ralph label as well as their back catalog, the Residents regained the rights to their music in 1990 and began reissuing long out of print material as well as the new Freak Show, a meditation on circus sideshows and carnival dementia. Four years later, Freak Show was reissued as a CD-ROM, marking the group's first leap into the new digital interactive technology; Have a Bad Day followed in 1996, and included the soundtrack to the CD-ROM game Bad Day on the Midway.
In 1997, the band celebrated their silver anniversary with the release of the career-spanning overview Our Tired, Our Poor, Our Huddled Masses. Wormwood: Curious Stories from the Bible followed the next year, with Roadworms (songs from Wormwood as performed in the stage show) being issued in mid-2000. They followed that up with the Icky Flix DVD, an incredibly detailed collection of their videos that featured both old and new soundtracks, 5.1 digital stereo Surround Sound, countless hidden videos, and in-depth histories of each individual track. A subsequent tour incorporated the DVD, while guest singer Molly Harvey joined the band on-stage for some truly creative duets. Several high concept projects followed the 2002 compilation Petting Zoo. The first was Demons Dance Alone, a complicated pop album that recalled the catchier material from Duck Stab and The Commercial Album. The live retrospective Kettles of Fish on the Outskirts of Town contained three CDs and a DVD. Despite the release of so much old content, new material wasn't in short supply. Their releases throughout the latter end of the 2000s' first decade included Animal Lover (2005), Tweedles! (2006), The River of Crime (2006), The Voice of Midnight (2007), The Bunny Boy (2008), The Ughs! (2009), and Ten Little Piggies (a sneak peak at projects in the pipeline, released in 2009). Much of it, of course, was highly conceptual.
---Jason Ankeny, All Music Guide |
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