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The Stones Jazz / 12 String Guitar |
Joe Pass |
angol első megjelenés éve: 2009 |
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(2009)
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 CD |
3.876 Ft
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1. | Lady Jane
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2. | I Am Waiting
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3. | 19th Nervous Breakdown
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4. | Not Fade Away
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5. | As Tears Go By
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6. | (I Can't Get No Satisfaction)
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7. | Play With Fire
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8. | Paint It Black
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9. | What A Shame
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10. | Mother's Little Helper
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11. | Charade
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12. | Sunday In New York
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13. | Carnaval From Black Orpheus
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14. | Fall In Love
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15. | Wives And Lovers
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16. | How The West Was Won
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17. | More
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18. | It Had Better Be Tonight
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19. | Lawrence Of Arabia
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20. | Love Theme Of Tom Jones
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21. | Love With The Proper Stranger
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22. | Call Me Irresponsible
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Jazz
First time on CD for these 60's recordings by jazz guitarist Pass "The Stones Jazz" is what it says - Pass's version of Rolling Stones songs - while ‘12 String Guitar' is Joe's interpretations of various movie themes Digitally remastered Slipcased and with new notes
Tracks 1-10: The Stones Jazz Tracks 11-22: 12 String Guitar
Joe Pass
Active Decades: '50s, '60s, '70s, '80s and '90s Born: Jan 13, 1929 in New Brunswick, NJ Died: May 23, 1994 in Los Angeles, CA Genre: Jazz Styles: Bop, Hard Bop, Mainstream Jazz, Standards, Jazz Instrument, Guitar Jazz
Joe Pass did the near-impossible. He was able to play up-tempo versions of bop tunes such as "Cherokee" and "How High the Moon" unaccompanied on the guitar. Unlike Stanley Jordan, Pass used conventional (but superb) technique, and his Virtuoso series on Pablo still sounds remarkable decades later. Joe Pass had a false start in his career. He played in a few swing bands (including Tony Pastor's) before graduating from high school, and was with Charlie Barnet for a time in 1947. But after serving in the military, Pass became a drug addict, serving time in prison and essentially wasting a decade. He emerged in 1962 with a record cut at Synanon, made a bit of a stir with his For Django set, recorded several other albums for Pacific Jazz and World Pacific, and performed with Gerald Wilson, Les McCann, George Shearing, and Benny Goodman (1973). However, in general Pass maintained a low profile in Los Angeles until he was signed by Norman Granz to his Pablo label. 1973's Virtuoso made him a star and he recorded very prolifically for Pablo, unaccompanied, with small groups, on duo albums with Ella Fitzgerald, and with such masters as Count Basie, Duke Ellington, Oscar Peterson, Milt Jackson, and Dizzy Gillespie. Pass remained very active up until his death from cancer. ---Scott Yanow, All Music Guide |
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