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Luminosity
Matthew Welch
első megjelenés éve: 2009
(2009)

CD
3.950 Ft 

 

IMPORT!
Kosaramba teszem
1.  Blues for Seraut
2.  Self/Non-Self and Luminosity in the Bardo
3.  Duo-El
4.  Hodinotra Chelalhodin
6.  Symphony of Drones 1
7.  Bagpipe Quintet
Jazz

Matthew Welch - Bagpipes, Conductor, Producer, Sax (Alto)
Aaron Siegel - Percussion
Anthony Kerr - Bagpipes
Christopher Hoffman - Cello
Glen Mitchell - Bagpipes
Jennifer Choi - Violin
Jeremiah Cymerman - Clarinet
Jessica Pavone - Viola
Jon Rosenberg - Editing, Engineer, Mastering, Mixing
Josh Sinton - Clarinet (Bass), Sax (Baritone)
Juho Laitinen - Cello, Soloist
Katherine Young - Bassoon
Leah Paul - Flute
Leanne Darling - Viola
Mary Halvorson - Guitar (Electric)
Matt Bauder - Clarinet (Bass)
Nate Wooley - Trumpet
Reuben Radding - Bass
Sam Kulik - Trombone (Bass)
Shelley Burgon - Harp
Stuart Liddell - Bagpipes
Taylor Ho Bynum - Cornet
Thomas Buckner - Baritone
Tom Blancarte - Bass
Trevor Dunn - Bass
Zeena Parkins - Harp

The music of Matthew Welch stems from a remarkably multi-faceted foundation. Matthew holds two university degrees in experimental music composition and has studied with noted composers such as Barry Truax, Rodney Sharman, Alvin Lucier and Anthony Braxton. The recordings on Luminosity bring together the full range and diversity of Matthew Welch's musical world. His compositions range from traditional-like bagpipe tunes to improvisation strategies and fully notated works for solo instruments, chamber ensembles and orchestra. Luminosity is a truly remarkable documentation of the talents of this modern composer. Highly recommended for those seeking adventurous music.



Matthew Welch

Active Decade: '00s
Genre: Jazz
Styles: Avant-Garde, Structured Improvisation

Matthew Welch is one of only a few bagpipe players in modern creative music. Welch grew up studying Scottish bagpiping and experimental music. He attended Simon Fraser University and Wesleyan University, where he worked with Anthony Braxton and Alvin Lucier. Braxton wrote his Composition No. 247 with Welch's bagpipes in mind, which is unusual because the music from Braxton's Ghost Trance Series has generally not been written for specific instruments. Welch also played accordion on Lucier's Vespers and Other Early Works. 2002 saw the release of Ceol Nua, in which Welch's compositions were performed by the Janacek Conservatory Orchestra and various Wesleyan students.
---Charlie Wilmoth, All Music Guide

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