  |
|
|
 |
|
*DVD AUDIO* |
| 5.241 Ft
|
|
| 1. | Babylon Sisters
|
| 2. | Hey Nineteen
|
| 3. | Glamour Profession
|
| 4. | Gaucho
|
| 5. | Time Out Of Mind
|
| 6. | My Rival
|
| 7. | Third World Man
|
Steely Dan - Rhythm Arrangements
Andy McKaie - Supervisor
Anthony Jackson - Bass
Barbara Isaak - Assistant Engineer
Bernard "Pretty" Purdie - Drums
Bill Burks - Supervisor
Bill Neighbors - Executive Producer
Bill Schnee - Tracking
Bob Ludwig - Digital Mastering, Mastering
Brant Biles - Digital Engineer
Carla Bandini - Assistant Engineer
Chuck Rainey - Bass
Chuck Sample - Bass
Craig Goetsch - Assistant Engineer
Crusher Bennett - Percussion
Daniel Levitin - Consultant
David Sanborn - Alto, Alto (Vocals), Sax (Alto), Saxophone
David Tofani - Sax (Tenor), Saxophone, Tenor (Vocal)
Di Suvero, Victor - Liner Note Translation, Translation
Diva Gray - Vocals, Vocals (Background)
Don Farrar - Piano Technician
Don Grolnick - Clavinet, Keyboards, Piano (Electric), Rhythm Arrangements
Donald Fagen - Composer, Group Member, Keyboards, Liner Notes, Lyre, Organ, Piano (Electric), Synthesizer, Vocals
Elliot Scheiner - Mix Down, Mixdown Engineer, Mixing, Remixing, Surround Mix, Tracking
Errol Bennett - Percussion
Frank Floyd - Vocals, Vocals (Background)
Frank Kafka - Liner Notes, Quotes Researched & Compiled
Gary Katz - Producer
George Marge - , Clarinet, Clarinet (Bass)
Georgia Offrell - Assistant Engineer
Gerry Gabinelli - Assistant Engineer
Gordon Grody - Vocals, Vocals (Background)
Hiram Bullock - Guitar
Hugh McCracken - Guitar
Jeff Fura - Production Coordination
Jeff Porcaro - Drums, Percussion
Jerry Garszva - Overdubs
Jerry Garszza - Overdubs
Joe Sample - Piano (Electric)
John "Doc" Daugherty - Assistant Engineer
John Tom Cohoe - Design Assistant
Johnny Potoker - Assistant Engineer
Lani Groves - Vocals, Vocals (Background)
Larry Carlton - Guitar, Soloist
Leslie Miller - Vocals, Vocals (Background)
Linda Randazzo - Assistant Engineer
Margaret Goldfarb - Production Coordination
Mark Knopfler - Guitar, Soloist, Vocals
Marti Robertson - Assistant Engineer
Michael Brecker - Sax (Tenor), Saxophone, Tenor (Vocal)
Michael Diehl - Design
Michael Etchart - Coordination, Supervisor
Michael MacDonald - Vocals (Background)
Michael McDonald - Vocals, Vocals (Background)
Nicky Marrero - Percussion, Timbales, Vocals
Pat Rebillot - Keyboards, Piano (Electric)
Patti Austin - Vocals, Vocals (Background)
Paul Bishow - Executive Producer, Supervisor
Paul Griffin - Rhythm Arrangements
Phil Burnett - Assistant Engineer
Ralph MacDonald - Percussion
Ralph McDonald - Percussion
Randy Brecker - Flugelhorn, Horn, Trumpet
Rene Burri - Photography
Rick Derringer - Guitar
Rick Marotta - Drums, Vocals
Rob Mounsey - Horn Arrangements, Piano, Rhythm Arrangements, Synthesizer
Rob Mounsey & Flying Monkey Orchestra - Rhythm Arrangements
Roger Nichols - Engineer, Executive Engineer, Executive Producer, Overdubs, Sequencing, Special Effects
Ronnie Cuber - Baritone, Saxophone
Ryan Null - Photo Research
Shannon Steckloff - Production Coordination
Shari Young - Producer, Supervisor
Steve Gadd - Drums, Percussion
Steve Khan - Guitar, Guitar (Acoustic), Guitar (Electric), Soloist
Suzanne Walsh - Art Direction, Design
Tom Greto - Assistant Engineer
Tom Scott - Alto, Clarinet, Clarinet (Alto), Clarinet (Tenor), Horn Arrangements, Lyricon, Sax (Alto), Sax (Tenor), Saxophone
Toni Wine - Vocals, Vocals (Background)
Valerie Simpson - Vocals, Vocals (Background)
Vartan - Art Direction
Victor Feldman - Keyboards, Percussion
Walter Becker - Bass, Composer, Group Member, Guitar, Liner Notes, Lyre, Soloist, Vocals
Walter Kane - Clarinet, Clarinet (Bass)
Wayne Andre - Trombone
Wendel - Sequencing, Special Effects
Zachary Sanders - Vocals, Vocals (Background)
Zack Snaders - Vocals (Background)
Aja was cool, relaxed, and controlled; it sounded deceptively easy. Its follow-up, Gaucho, while sonically similar, is its polar opposite: a precise and studied record, where all of the seams show. Gaucho essentially replicates the smooth jazz-pop of Aja, but with none of that record's dark, seductive romance or elegant aura. Instead, it's meticulous and exacting; each performance has been rehearsed so many times that it no longer has any emotional resonance. Furthermore, Walter Becker and Donald Fagen's songs are generally labored, only occasionally reaching their past heights, like on the suave "Babylon Sisters," "Time Out of Mind," and "Hey Nineteen." Still, those three songs are barely enough to make the remainder of the album's glossy, meandering fusion worthwhile.
--- Stephen Thomas Erlewine, All Music Guide
Audio: 20 Bit digitally remastered DTS5.1 |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
