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| Playin' for Keeps |
| Bunky Green |
| első megjelenés éve: 2008 |
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| (2008)
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CD |
| 4.181 Ft
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| 1. | On Green Dolphin Street [*]
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| 2. | My Ship [*]
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| 3. | Yesterday
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| 4. | Playin' for Keeps
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| 5. | What I Can Do
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| 6. | Mi Compasion
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| 7. | My Man's Gone Now
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| 8. | Brazilano
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| 9. | Step High [*]
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| 10. | Tamra [*]
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| 11. | Silver Dollar [*]
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| 12. | When the Sun Comes Out [*]
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| 13. | Testifyin' Time [*]
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| 14. | Tweedlee Dee [*]
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| 15. | Orbit Six [*]
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| 16. | The Shadow of Your Smile
Love Theme from The Sandpiper
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| 17. | Mama Looka Boo Boo
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Jazz
BUNKY GREEN (alto sax) on all tracks, plus:
#1-2: Billy Wallace (p), Cleveland Eaton (b), Marshall Th ompson (d)
Recorded in Chicago, February 18, 1965
#3-8: Willie Pickens (p), Cleveland Eaton (b), Harold Jones (d)
Recorded in Chicago, January 18, 1966
#9: Wynton Kelly (p), Larry Ridley (b), Jimmy Cobb (d)
Recorded in Chicago, October 28, 1960
#10-15: Same personnel and date as tracks #1-2 except Walter Strickland (tp) & James Meyer (ts, bar) added
#16-17: Same personnel as tracks 1-2 except Warren Kime & Paul Serrano (tp), John Avant (tb), Kenny Soderblom (sax) & Eli Gutierrez (congas) added; Charles Stepney (p) replaces Billy Wallace
Recorded in Chicago, Dec 1965
This CD release contains the complete original albums:
"Playin' for Keeps" (tracks #3-8 & #16-17) "Testifyin' Time" (tracks #1-2 & #10-15)
The only other Bunky Green quartet recording from the 1960's was a version of the song "Step High", which is included here as a bonus track. In order to make this edition more appealing to jazz collectors, the producers have placed all of the quartet tracks at the beginning of the CD.
Includes 12-page comprehensive booklet!
"Despite nearly five decades (from 1960 to present) of musical activity, Bunky Green's meager discography consists of no more than 32-separate sessions. Green's discography can be divided into two separate periods: his emergence in Chicago (22 recordings from 1960-1967), and his reemergence in New York (10 recordings from 1976-2004). This edition showcases his finest recordings from the earlier Chicago period."
--- from the liner notes
Bunky Green
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Apr 23, 1935 in Milwaukee, WI
Genre: Jazz
Styles: Post-Bop, Hard Bop, M-Base
Bunky Green has long had his own sound, but unfortunately most of his recordings have gone long out of print as he has conducted a career as an educator (including a term as the president of the International Association of Jazz Educators). After playing locally, in 1960 he had a stint with Charles Mingus. That year, Green moved to Chicago where he played with Ira Sullivan, Andrew Hill, Louie Bellson, Yusef Lateef, and Sonny Stitt, among others. Originally strongly influenced by Charlie Parker, Green spent a period reassessing his style and studying, emerging with a much more distinctive sound. He recorded for Exodus (1960) and Argo (1964-1966), but his best work was his mid- to late-'70s recordings for Vanguard and a 1989 session for Delos. A self-described "inside/outside" player, Bunky Green has had an influence on the styles of Steve Coleman and Greg Osby.
---Scott Yanow, All Music Guide |
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