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| Healing the Pain |
| Bunky Green |
| első megjelenés éve: 1992 |
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| (1992)
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CD |
| 4.511 Ft
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| 1. | The Thrill Is Gone
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| 2. | Walter's Theme
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| 3. | Who Can I Turn To (When Nobody Needs Me)
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| 4. | I Concentrate on You
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| 5. | Love Theme
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| 6. | You've Changed
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| 7. | Wild Life
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| 8. | Radio Theme
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| 9. | Everything I Have Is Yours
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| 10. | Seashells
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| 11. | Goodbye
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| 12. | Love Theme
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Jazz
Bunky Green - Sax (Alto), Sax (Soprano)
Art Davis - Bass
Billy Childs - Piano
Ralph Penland - Drums
* Amelia S. Haygood - Executive Producer
* Andrew Dawson - Assistant Engineer, Associate Engineer
* Ed Bland - Producer
* Jeff Katz - Photography
* John Eargle - Engineer
In listening to Bunky Green, one can hear where Greg Osby, Steve Coleman, and Gary Thomas came from. Green sails in and out of the chord changes and makes most of his solos into a do-or-die situation full of emotional intensity, especially when he plays alto. On this diverse CD (which finds him also performing a bit on soprano), Green shows that he is not afraid to occasionally caress a melody (as on a slow "Everything I Have Is Yours") and frequently emphasizes unexpected notes, particularly during a fascinating version of "I Concentrate on You." Joined by a fine rhythm section consisting of pianist Billy Childs, bassist Art Davis, and drummer Ralph Penland, Green is in top form on what may very well be his definitive recording. Highly recommended. ~ Scott Yanow, All Music Guide
Bunky Green
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Apr 23, 1935 in Milwaukee, WI
Genre: Jazz
Styles: Post-Bop, Hard Bop, M-Base
Bunky Green has long had his own sound, but unfortunately most of his recordings have gone long out of print as he has conducted a career as an educator (including a term as the president of the International Association of Jazz Educators). After playing locally, in 1960 he had a stint with Charles Mingus. That year, Green moved to Chicago where he played with Ira Sullivan, Andrew Hill, Louie Bellson, Yusef Lateef, and Sonny Stitt, among others. Originally strongly influenced by Charlie Parker, Green spent a period reassessing his style and studying, emerging with a much more distinctive sound. He recorded for Exodus (1960) and Argo (1964-1966), but his best work was his mid- to late-'70s recordings for Vanguard and a 1989 session for Delos. A self-described "inside/outside" player, Bunky Green has had an influence on the styles of Steve Coleman and Greg Osby.
---Scott Yanow, All Music Guide |
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