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CD |
| 7.617 Ft
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| 1. | Night Waltz
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| 2. | Moonlight Sailor
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| 3. | The White Gate
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| 4. | Eyes Were Made to Cry
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| 5. | Hope
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| 6. | Lake of the White Owl
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| 7. | Where Wildflowers Grow
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| 8. | Grey Cliffs
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| 9. | Seagull
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Jazz
Keiko Matsui - Arranger, Keyboards, Producer
Akira Jimbo - Drums
Bernie Dresel - Drums
Brad Cummings - Bass
Bridgette Bryant - Vocals (Background)
Bruce Stone - Bass
Chris Trujillo - Percussion
Clay Jenkins - Flugelhorn
Derek Nakamoto - Arranger, Synthesizer
Ed Smith - Drums
Eric Marienthal - Saxophone
Fred Washington - Bass
Gary Stockdale - Arranger, String Arrangements
Gerald Albright - Saxophone
Gino d'Auri - Guitar, Guitar (Acoustic)
Greg Walker - Vocals
Jimmy Johnson - Bass
John "Hot Fat Reynolds" Ferraro - Drums
John Ferraro - Drums
Jon Crosse - Saxophone
Kazu Matsui - Percussion, Producer, Shakuhachi
Maxi Anderson - Vocals (Background)
Maxine Anderson - Vocals (Background)
Michael Acosta - Saxophone, Soloist
Michael Fisher - Percussion
Ron Komie - Guitar, Guitar (Electric)
Steve Shaffer - Drums
Thom Rotella - Guitar, Guitar (Acoustic)
* Alan Hirshberg - Engineer
* Bill Airey Smith - Engineer, Mixing
* Clif Norrell - Engineer
* Craig Burbidge - Engineer
* Dave Jahnsen - Engineer
* Dennis Moody - Engineer
* Hiroyuki Ishii - Photography
* Jeff Day - , Composer
* Masato Arai - Management
* Rob Chiarelli - Engineer
* Robert Tauro - Management
* Teppei Kasai - Mastering
* Yuji Ishii - Hair Stylist, Make-Up
If there's such a thing as poetic music, Matsui continues her discovery of it on this effort. For all its beauty ad more aggressive touches, this collection doesn't quite measure up to her previous collection No Borders, but there are moments of fusion in her work here which cook like never before, thanks to Eric Marienthal, Gerald Albright and guitarist Ron Komie. While husband/producer Kazu Matsui adds his mysterious shakuhachi wind to "Grey Cliffs," Matsui spends her time creating soundscapes which range from mainly acoustic to punchy electric pieces like "Hope." Clay Jenkins' flugelhorn is a plus. The two vocals here don't give Greg Walker enough excitement to play with; instead they seem too ambitious. Don't let the flowers on the cover fool you because this disc is anything but fluffy and pastoral in nature. ~ Jonathan Widran, All Music Guide |
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