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| 5.637 Ft
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| 1. | I May Be Wrong (But I Think You're Wonderful)
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| 2. | Medley: Black and Tan Fantasy/Prelude No., 29/Prelude to a Kiss/Do Not
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| 3. | One Note to My Wife
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| 4. | 5/4 Medley: Take 5/Cinco Quatro Boogie Woogie/Take 5
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| 5. | Medley: Lonely Woman/So What/Impressions/Olean Visit/Some Other Sprin
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| 6. | It's Too Late
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| 7. | Tricotism
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| 8. | Lover Man
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Jazz / Bop, Post-Bop, Free Jazz
Recorded: Sep 25-26, 1984
Jaki Byard - Piano, Conductor
Al Bryant - Trumpet
Al Givens - Sax (Tenor)
Allan Givens - Sax (Tenor)
Bob Norden - Trombone
Bob Torrence - Sax (Alto)
Carl Reinlib - Trombone
Daniel Licht - Guitar
Dave Baker - Engineer
David Baker - Engineer
Denyce Byard - Vocals, Tambourine
Diane Byard - Tambourine, Vocals
Don Licht - Guitar (Electric)
Gary Giddins - Liner Notes
Gennaro Carone - Mastering
Giovanni Bonandrini - Producer
Giuliano Crivelli - Cover Art
Jed Levy - Sax (Tenor)
Jefery Levy - Sax (Tenor)
Jim White - Trumpet
John Eckert - Trumpet
Manny Boyd - Sax (Alto)
Preston Trombly - Sax (Baritone)
Ralph Hamerian - Bass
Ralph Hamperian - Bass
Richard Allen - Drums
Roger Parrot - Trumpet
Stephen Calia - Trombone (Bass)
Steve Swell - Trombone
Steve Weinberg - Trombone
This outing by Jaki Byard's big band The Apollo Stompers does not quite live up to its potential. The 17-piece orchestra has few distinctive soloists (other than the pianist/leader) and all of the performances (which include three medleys) are quite brief; also the two vocals by Byard's daughters are just so-so. The real reason to acquire this admittedly spirited set is for the occasional (and always notable) piano solos. ~ Scott Yanow, All Music Guide
Jaki Byard
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Jun 15, 1922 in Worcester, MA
Died: Feb 11, 1999 in Queens, NY
Genre: Jazz
Styles: Avant-Garde Jazz, Bop, Early Creative, Mainstream Jazz, Post-Bop, Progressive Big Band, Progressive Jazz, Stride, Third Stream
The late Jaki Byard was, arguably, the most versatile pianist in jazz, though he also played trumpet and was an excellent tenor saxophonist. Born in 1922, he grew up during the golden era, and while younger than Duke Ellington, he embraced, as had his predecessor, all of the changes the music went through, from its origins in New Orleans through the free improvisation era. Byard would, in a single solo concert, reveal his truly awesome mastery of the aforementioned styles, as well as R&B, stride, swing, funk, blues, honky tonk, and the extreme arpeggios of Art Tatum. But Byard's style was completely his own, developed from his early days playing with Earl Bostic in the late '40s and early '50s. After leaving Bostic, he played with Herb Pomeroy and Maynard Ferguson until he won a spot in the legendary Charles Mingus band of 1962-1964 along with Eric Dolphy. He also recorded with Dolphy and Booker Ervin, as well as Charlie Mariano and Rahsaan Roland Kirk. One of his notable achievements was as the pianist in the Mingus band that tore apart concert halls all over Europe in 1964. Between 1961 and 1972, he issued a string of his own dates for Prestige (Hi-Fly, Here's Jaki, and Out Front! among them) and other labels; they embody his finest work, with a rhythm section that included Richard Davis and Alan Dawson, though he never made a bad record. Byard became an educator in the early '70s (after another collaboration with Mingus in 1970), teaching at Harvard, the Hart School of Music, and the New England Conservatory, and he recorded and performed intermittently the world over until his death from a gunshot wound in 1999.
---Thom Jurek, All Music Guide |
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