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| Klook's the Man |
| Kenny Clarke |
| első megjelenés éve: 2007 |
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| (2007)
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4 x CD |
| 6.501 Ft
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| 1. CD tartalma: |
| 1. | I Found A New Baby
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| 2. | Once In Awhile
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| 3. | You're A Sweetheart
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| 4. | Sweet Sue
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| 5. | Epistrophy
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| 6. | 52nd Street Theme
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| 7. | Dop-Bop-Sl'bam
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| 8. | Rue Chaptal (Royal Roost)
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| 9. | Confirmation
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| 10. | A La Colette (Cheryl)
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| 11. | Jumpin' There
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| 12. | Jay Mac
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| 13. | Algerian Cynicism
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| 14. | Laurenzology
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| 15. | Doria
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| 16. | I'll Tell You In Any Minute
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| 17. | Working Eyes
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| 18. | Stuffy
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| 19. | The Man I Love
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| 20. | I Surrender Dear
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| 21. | Love In The Sun
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| 22. | Iambic Pentameter
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| 23. | Assy Pan Assy
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| 24. | Robbins' Nest
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| 25. | I'll Get You Let
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| 26. | Be Good, Girl
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| |
| 2. CD tartalma: |
| 1. | Sonor
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| 2. | Strollin'
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| 3. | Blues Mood
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| 4. | Skoot
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| 5. | Klook's Nook
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| 6. | Inhibitions
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| 7. | Baggin' The Blues
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| 8. | Telefunken Blues
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| 9. | Summer Evening
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| 10. | Oz The Wizard
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| 11. | I Dig You The Most
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| 12. | Pru's Blooze
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| 13. | Plenty For Kenny
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| 14. | Cute Tomato
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| 15. | Now's The Time
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| 3. CD tartalma: |
| 1. | With Apologies To Oscar
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| 2. | Hear Me Talkin' To Ya
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| 3. | Willow Weep For Me
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| 4. | Bohemia After Dark
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| 5. | Chasm
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| 6. | Late Entry
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| 7. | Will Wail
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| 8. | Volcano
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| 9. | La Porta Thority
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| 10. | I Hear A Rhapsody
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| 11. | Yesterdays
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| 12. | Play, Fiddle, Play
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| 4. CD tartalma: |
| 1. | Cottontail
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| 2. | Your Host
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| 3. | Tricotism
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| 4. | Tom's Thumb
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| 5. | You Turned The Tables On Me
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| 6. | Afternoon In Paris
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| 7. | Apothegh
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| 8. | 'Round Midnight
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| 9. | On A Riff
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| 10. | When Lights Are Low
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| 11. | Oblique
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| 12. | Jeru
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| 13. | Eronel
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| 14. | Tahiti
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| 15. | Bemsha Swing
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| 16. | Blue Serge
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| 17. | Swing Spring
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| 18. | The Squirrel
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| 19. | Cadenze
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Jazz
72 track overview of the founding father of Bop drumming spanning the years 1938-1956, he was one of the few jazz innovators on his chosen instrument. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after hours jams that led to the birth of modern jazz. He is credited with creating the modern role of the ride cymbal as the primary timekeeper. Clarke was nicknamed "Klook" or "Klook-mop" for the style he innovated.
Disc 1 (P1577) EPISTROPHY
Disc 2 (P1578) SONOR
Disc 3 (P1579) BOHEMIA AFTER DARK
Disc 4 (P1580) AFTERNOON IN PARIS
Kenny Clarke
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Jan 09, 1914 in Pittsburgh, PA
Died: Jan 26, 1985 in Paris, France
Genre: Jazz
Kenny Clarke was a highly influential if subtle drummer who helped to define bebop drumming. He was the first to shift the time-keeping rhythm from the bass drum to the ride cymbal, an innovation that has been copied and utilized by a countless number of drummers since the early '40s.
Clarke played vibes, piano and trombone in addition to drums while in school. After stints with Roy Eldridge (1935) and the Jeter-Pillars band, Clarke joined Edgar Hayes' Big Band (1937-38). He made his recording debut with Hayes (which is available on a Classics CD) and showed that he was one of the most swinging drummers of the era. A European tour with Hayes gave Clarke an opportunity to lead his own session, but doubling on vibes was a definite mistake! Stints with the orchestras of Claude Hopkins (1939) and Teddy Hill (1940-41) followed and then Clarke led the house band at Minton's Playhouse (which also included Thelonious Monk). The legendary after-hours sessions led to the formation of bop and it was during this time that Clarke modernized his style and received the nickname "Klook-Mop" (later shortened to "Klook") due to the irregular "bombs" he would play behind soloists. A flexible drummer, Clarke was still able to uplift the more traditional orchestras of Louis Armstrong and Ella Fitzgerald (1941) and the combos of Benny Carter (1941-42), Red Allen and Coleman Hawkins; he also recorded with Sidney Bechet. However after spending time in the military, Clarke stayed in the bop field, working with Dizzy Gillespie's big band and leading his own modern sessions; he co-wrote "Epistrophy" with Monk and "Salt Peanuts" with Gillespie. Clarke spent the late '40s in Europe, was with Billy Eckstine in the U.S. in 1951 and became an original member of the Modern Jazz Quartet (1951-55). However he felt confined by the music and quit the MJQ to freelance, performing on an enormous amount of records during 1955-56.
In 1956 Clarke moved to France where he did studio work, was hired by touring American all-stars and played with Bud Powell and Oscar Pettiford in a trio called the Three Bosses (1959-60). Clarke was co-leader with Francy Boland of a legendary all-star big band (1961-72), one that had Kenny Clarke playing second drums! Other than a few short visits home, Kenny Clarke worked in France for the remainder of his life and was a major figure on the European jazz scene.
---Scott Yanow, All Music Guide |
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