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| 5.601 Ft
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| 1. | I Cover the Waterfront
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| 2. | Just Squeeze Me
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| 3. | But Not for Me
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| 4. | Just You, Just Me
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| 5. | Mean to Me
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| 6. | I Surrender Dear
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| 7. | The One I Love (Belongs to Somebody Else)
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Jazz / Mainstream Jazz
Harry "Sweets" Edison
Earl Hines - Piano
Alberto Tognetti - Producer
G. Preneron Digital Remastering
Georges Braunschweig Photography
Jean Marc Fritz Graphic Design, Liner Notes, Collection
Jean Michel Proust Graphic Design, Liner Notes, Collection
Jean-Pierre Tahmazian Photography
Jeff Kresser Translation
Patricia Kresser Translation
Leave it to European labels like Black & Blue to come up with inspired pairings of musicians who American labels never seem to get around to considering. This 1978 meeting between pianist Earl Hines and trumpeter Harry "Sweets" Edison is a match of masters, covering tunes they had likely performed hundreds of times in their respective careers. Everything seems to gel in the opening track, a strident take of "I Cover the Waterfront," with plenty of trills by Hines in support of Edison's brilliant open horn. Edison adds a mute for an exquisite, deliberate take of "Just Squeeze Me" and a sauntering "But Not for Me." Hines' dancing tenths come to the forefront in their romp through "Just You, Just Me." If there is any complaint about this exciting CD, it is that no alternate takes or unissued songs turned up on this CD reissue. There is nothing like two veterans at the top of their game joining forces for a record date. ~ Ken Dryden, All Music Guide
Harry "Sweets" Edison
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Oct 10, 1915 in Columbus, OH
Died: Jul 27, 1999
Genre: Jazz
Styles: Swing, Mainstream Jazz
Harry "Sweets" Edison got the most mileage out of a single note, like his former boss Count Basie. Edison, immediately recognizable within a note or two, long used repetition and simplicity to his advantage while always swinging. He played in local bands in Columbus and then in 1933 joined the Jeter-Pillars Orchestra. After a couple years in St. Louis, Edison moved to New York where he joined Lucky Millinder and then in June 1938, Count Basie, remaining with that classic orchestra until it broke up in 1950. During that period, he was featured on many records, appeared in the 1944 short Jammin' the Blues and gained his nickname "Sweets" (due to his tone) from Lester Young. In the 1950s, Edison toured with Jazz at the Philharmonic, settled in Los Angeles, and was well-featured both as a studio musician (most noticeably on Frank Sinatra records) and on jazz dates. He had several reunions with Count Basie in the 1960s and by the '70s was often teamed with Eddie "Lockjaw" Davis; Edison also recorded an excellent duet album for Pablo with Oscar Peterson. One of the few swing trumpeters to be influenced by Dizzy Gillespie, Sweets led sessions through the years for Pacific Jazz, Verve, Roulette, Riverside, Vee-Jay, Liberty, Sue, Black & Blue, Pablo, Storyville, and Candid among others. Although his playing faded during the 1980s and '90s, Edison could still say more with one note than nearly anyone; he died July 27, 1999, at age 83.
---Scott Yanow, All Music Guide |
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