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Merry Olde Soul
Victor Feldman
első megjelenés éve: 1960
41 perc
(1990)

CD
5.025 Ft 

 

IMPORT!
Kosaramba teszem
1.  For Dancers Only
2.  Lisa
3.  Serenity
4.  You Make Me Feel So Young
5.  Come Sunday
6.  The Man I Love
7.  Bloke's Blues
8.  I Want to Be Wanted
9.  Mosey on Down
Jazz / Bop; Cool

Victor Feldman - Piano, Vibraphone, Vibe Master
Andy Simpkins - Bass
Hank Jones Piano
Ira Gitler Liner Notes
Louis Hayes Drums
Orrin Keepnews Producer
Phil DeLancie Mastering
Ray Fowler Engineer
Sam Jones Bass

Victor Feldman's one Riverside date as a leader (which has been reissued on CD) features him playing piano on five songs and vibes on four others (three of which add Hank Jones on piano). Joined by bassist Sam Jones and drummer Louis Hayes (both of whom were at the time, with Feldman, the rhythm section of the Cannonball Adderley Quintet), Feldman is in excellent form on a straight-ahead set. The trio/quartet performs five standards that for the most part are not overly familiar, plus four of the leader's originals. Tasteful and swinging music. ~ Scott Yanow, All Music Guide



Victor Feldman

Active Decades: '50s, '60s, '70s and '80s
Born: Apr 07, 1934 in London, England
Died: May 12, 1987 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Cool, Crossover Jazz, Fusion, Instrumental Pop, Post-Bop

Victor Feldman was a child prodigy who was a professional from the age of seven and sat in on drums with Glenn Miller's Army Air Force Band in 1944 when he was ten. He was active in his native England through the bebop years (mostly on drums), debuting as a leader in 1948. By 1952, Feldman was getting better-known for his vibes playing and he recorded extensively during the 1950s. After touring with Woody Herman (1956-1957), he decided to move to the U.S. in 1957, where he worked at the Lighthouse with Howard Rumsey. Feldman recorded (on vibes and piano) for Mode, Contemporary, and Riverside during 1957-1961, a period in which he became a busy studio musician. Feldman was with Cannonball Adderley's Quintet (mostly as a pianist) for six months in 1960-1961 and recorded with Miles Davis in 1963 (who offered him a job with his new quintet and recorded his original "Seven Steps to Heaven"), but remained in L.A. and the studios. He cut jazz dates for Choice, Concord, Palo Alto, and TBA and in the 1980s up until his death he led a soulful crossover group (the Generation Band) that often featured his son, Trevor Feldman, on drums.
---Scott Yanow, All Music Guide

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