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2 x CD |
| 7.401 Ft
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| 1. CD tartalma: |
| 1. | Vonce No.5
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| 2. | Transportation Blues
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| 3. | Blue Lawson
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| 4. | Namely You
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| 5. | What Is This Thing Called Love?
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| 6. | Alicia 5
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| 7. | Seeing Red
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| 8. | Stormy Weather
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| 9. | Cashmere
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| 2. CD tartalma: |
| 1. | Slenderella
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| 2. | Moonlight Becomes You
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| 3. | Roc & Troll
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| 4. | Two Ton
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| 5. | Medley: It&
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| 6. | Soul Station
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| 7. | Club Car
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| 8. | Upper Berth
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Jazz
Recorded: Hackensack, 1957
Curtis Fuller (tb)
Sonny Red (as), Hank Jones, Red Garland, Tommy Flanagan (p), Doug Watkins, Paul Chambers, George Tucker (b), Louis Hayes (d)
During the late Fifties, Detroit saw the emergence of some of the finest neo-bop jazzmen, among them Curtis Fuller and Sylvester “Sonny Red” Kyner, two of the most significant young-blood representatives of the movement. Fuller, a 23-year old disciple of trombonist J. J. Johnson, displayed, even then, full command of his horn, playing with a vibrato-less style, flowing conception and a slightly greater dynamic range than his mentor. Sonny Red, 25-years-old at the time, was a Birdcalling shouter, with a pungent attack, fierce drive and a truly Bird-inspired emotional strength. These 1957 quintet recordings amply illustrate the wealth of talent emerging from Detroit that left its invigorating mark on the New York scene in the late Fifties.
Curtis Fuller
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 15, 1934 in Detroit, MI
Genre: Jazz
Curtis Fuller belongs in the select circle with J.J. Johnson, Kai Winding and a few others who make the trombone sound fluid and inviting rather than awkward. His ability to make wide octave leaps and play whiplash phrases in a relaxed, casual manner is a testament to his skill. Fuller's solos and phrases are often ambitious and creative, and he's worked in several fine bands and participated in numerous great sessions. Fuller studied music in high school, then began developing his skills in an army band, where he played with Cannonball Adderley. He worked in Detroit with Kenny Burrell and Yusef Lateef, then moved to New York. Fuller made his recording debut as a leader on Transition in 1955, and recorded in the late '50s for Blue Note, Prestige, United Artists and Savoy. He was a charter member of The Jazztet with Benny Golson and Art Farmer in 1959, then played in Art Blakey's Jazz Messengers from 1961 to 1965. There were additional recording dates for Warwick, Smash/Trip, Epic, and Impulse in the '60s. Fuller toured Europe with Dizzy Gillespie's big band in 1968, then did several sessions in New York. During the '70s, he experimented for a time playing hard bop arrangements in a band featuring electronic instruments, heading a group with guitarist Bill Washer and Stanley Clarke. He concluded that phase with the '73 album Crankin.' Fuller toured with the Count Basie band from 1975 to 1977, and did dates for Mainstream, Timeless, and Bee Hive. He co-led the quintet Giant Bones with Winding in 1979 and 1980, and played with Art Blakey, Cedar Walton and Benny Golson in the late '70s and early '80s. During the '80s, Fuller toured Europe regularly with the Timeless All-Stars, and performed and recorded with the revamped Jazztet in addtion to leading a fine session for Savoy in 1993.
---Ron Wynn, All Music Guide |
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