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Auf Wiedersehen [Japan version]
Red Garland
japán
első megjelenés éve: 1971
(2006)

CD
7.833 Ft 

 

IMPORT!
Kosaramba teszem
1.  Hobo Joe
2.  Auf Wiedersehen
3.  A Night in Tunisia
4.  Old Stinky Butt
5.  Stella by Starlight
6.  Daahoud
Jazz / Hard Bop

Red Garland - Piano
Roy Brooks - Drums
Sam Jones - Bass

Red Garland returned to the recording studio in 1971, after a layoff of nearly nine years, to record this trio set for MPS. Accompanied by bassist Sam Jones and drummer Roy Brooks, Garland is in great form, beginning with Joe Henderson's catchy "Hobo Joe." Garland's sentimental ballad, "Auf Wiedersehen," would make a perfect vehicle for vocalists, if it only had lyrics. The trio's treatment of "A Night in Tunisia" is buoyant, with Brooks altering the pitch of his drums by inflating them with additional air (by blowing through rubber tubes) during his brilliant solo. Garland's "Old Stinky Butt" is a quintessential late-night blues, understated and slow. The leader opens "Stella by Starlight" alone before giving way to his session mates and opening things up. The finale is a brisk rendition of "Daahoud," with all the bells and whistles that one associates with Clifford Brown's hard bop masterpiece. This long out-of-print LP was finally reissued on CD in Japan, though it may be somewhat challenging to find. ~ Ken Dryden, All Music Guide



Red Garland

Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop

Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide

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