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| Blues in the Night |
| Red Garland |
első megjelenés éve: 1958
60 perc |
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| (1990)
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CD |
| 6.177 Ft
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| 1. | Back Slidin'
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| 2. | Revelation Blues
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| 3. | Every Time I Feel the Spirit
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| 4. | Halleloo-Y'all
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| 5. | I'll Never Be Free
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| 6. | Blues in the Night
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| 7. | Rocks in My Bed
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| 8. | Soul Burnin'
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| 9. | A Portrait of Jennie
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Jazz / Hard Bop
Red Garland - Piano, Organ
Art Taylor - Drums
Bob Weinstock Supervisor
Dan Morgenstern Liner Notes
Esmond Edwards Photography, Supervisor
Jamie Putnam Art Direction, Design
Kirk Felton Remastering
Paul Chambers Bass
Ray Barretto Conga
Robert Levin Liner Notes
Rudy Van Gelder Engineer
Sam Jones Bass
The emphasis is on the blues (although not exclusively) on this CD reissue. The original eight-song program has been joined by "A Portrait of Jennie" by the same trio (pianist Red Garland, bassist Sam Jones and drummer Art Taylor) from an earlier date. Most unusual about the set is that Garland makes a rare (and effective) appearance on organ during "Halleloo-Y'All." Otherwise, this is a conventional but enjoyable set of bluesy bop, highlighted by "Revelation Blues," "Everytime I Feel the Spirit" and "Rocks In My Bed." ~ Scott Yanow, All Music Guide
Red Garland
Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide |
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