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| Feelin' Red |
| Red Garland |
első megjelenés éve: 1978
40 perc |
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| (1998)
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CD |
| 4.790 Ft
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| 1. | It's All Right With Me
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| 2. | You Better Go Now
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| 3. | On a Clear Day
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| 4. | Going Home
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| 5. | The Second Time Around
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| 6. | I Wish I Knew
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| 7. | Cherokee
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Jazz / Hard Bop
Red Garland - Piano
Al Foster - Drums
Becky Wisdom Production Coordination
Elvin Campbell Engineer
Gene Paul Mastering
Joel Dorn Liner Notes, Series Producer
Mitch Farber Producer
Sam Jones Bass
Todd Barkan Assistant Producer, Liner Notes
Tom Copi Photography
After years of silence (with only one recording cut during the 1963-73 period), Red Garland had a final outburst of recording activity during 1977-80 (with one final effort in 1982). His piano style was virtually unchanged from the late 1950s, and this trio outing with bassist Sam Jones and drummer Al Foster holds its own with his better-known earlier material. Garland is typically distinctive on such numbers as "It's All Right With Me," a swinging "On a Clear Day" and "Cherokee." Originally cut for Muse, this set was reissued on CD by 32 Jazz in 1998. ~ Scott Yanow, All Music Guide
Red Garland
Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide |
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