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| 1. | Soul Junction
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| 2. | Woody 'N You
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| 3. | Birks' Works
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| 4. | I've Got It Bad (And That Ain't Good)
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| 5. | Hallelujah
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Jazz / Hard Bop, Jazz Blues
Red Garland - Piano
Red Garland Quintet
Art Taylor - Drums, Bass
Donald Byrd - Trumpet
George Joyner - Drums, Bass
John Coltrane - Sax (Tenor)
Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing.
Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
Bob Weinstock Supervisor
Chris Clough Reissue Production Assistance
Doug Ramsey Liner Notes
Larissa Collins Assistant
Nat Hentoff Liner Notes
Nick Phillips Reissue Producer
Phil DeLancie Digital Remastering
Rikka Arnold Editing
Rudy Van Gelder Liner Notes, Engineer, Remastering
Stuart Kremsky Reissue Production Assistance
Wendy Nyquist Sherman Assistant
Zev Feldman Assistant
Pianist Red Garland's very relaxed, marathon blues solo on the 16-minute "Soul Junction" is the most memorable aspect of this CD reissue. With such soloists as tenor saxophonist John Coltrane and trumpeter Donald Byrd, plus steady support provided by bassist George Joyner and drummer Art Taylor, Garland gets to stretch out on the title cut and four jazz originals, including "Birk's Works" and "Hallelujah." Coltrane is in excellent form, playing several stunning sheets of sound solos. ~ Scott Yanow, All Music Guide
Red Garland
Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide |
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