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Solar [Japan version]
Red Garland Quartet, Red Garland
japán
első megjelenés éve: 1962
38 perc
(2006)   [ LIMITED ]

CD
7.905 Ft 

 

IMPORT!
Kosaramba teszem
1.  Sophisticated Swing
2.  Solar
3.  Where Are You?
4.  Marie's Delight
5.  This Can't Be Love
6.  The Very Thought of You
7.  Blues for 'News
8.  I Just Can't See for Looking
Jazz / Hard Bop

Red Garland - Piano
Red Garland Quartet
Frank Gant - Drums
Gary Hobish Digital Remastering
Ira Gitler Liner Notes
Ken Deardoff Design
Lawrence Shustak Photography
Les Spann - Guitar, Flute
Orrin Keepnews Producer
Ray Fowler Engineer
Sam Jones - Bass
Steve Shapiro Photography

Pianist Red Garland recorded many sessions during 1955-63 and his distinctive chord voicings and relaxed style was always worth hearing. The wild card on this quartet is Les Spann who had the unusual double of guitar and flute; his flute is a major asset on "Where Are You?" and "The Very Thought of You." Garland (along with bassist Sam Jones and drummer Frank Gant) is in fine form throughout these underplayed standards; highlights include "Sophisticated Swing," "Solar" and "This Can't Be Love." ~ Scott Yanow, All Music Guide



Red Garland

Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop

Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide

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