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7.905 Ft
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1. | Sophisticated Swing
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2. | Solar
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3. | Where Are You?
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4. | Marie's Delight
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5. | This Can't Be Love
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6. | The Very Thought of You
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7. | Blues for 'News
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8. | I Just Can't See for Looking
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Jazz / Hard Bop
Red Garland - Piano Red Garland Quartet Frank Gant - Drums Gary Hobish Digital Remastering Ira Gitler Liner Notes Ken Deardoff Design Lawrence Shustak Photography Les Spann - Guitar, Flute Orrin Keepnews Producer Ray Fowler Engineer Sam Jones - Bass Steve Shapiro Photography
Pianist Red Garland recorded many sessions during 1955-63 and his distinctive chord voicings and relaxed style was always worth hearing. The wild card on this quartet is Les Spann who had the unusual double of guitar and flute; his flute is a major asset on "Where Are You?" and "The Very Thought of You." Garland (along with bassist Sam Jones and drummer Frank Gant) is in fine form throughout these underplayed standards; highlights include "Sophisticated Swing," "Solar" and "This Can't Be Love." ~ Scott Yanow, All Music Guide
Red Garland
Active Decades: '50s, '60s, '70s and '80s Born: May 13, 1923 in Dallas, TX Died: Apr 23, 1984 in Dallas, TX Genre: Jazz Styles: Hard Bop
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again. ---Scott Yanow, All Music Guide |
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