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| 1. | Strut Time
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| 2. | Jubilation
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| 3. | Symptoms
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| 4. | Are You Real?
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| 5. | Cry a Blue Tear
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| 6. | This Night
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Jazz / Hard Bop
Benny Golson - Sax (Tenor), Saxophone
Barry Harris - Piano
Curtis Fuller - Trombone
Jymie Merritt - Bass
Philly Joe Jones - Drums
Gary Hobish - Remastering
Harris Lewine - Design, Cover Production
Ken Braren Design, Cover Production
Orrin Keepnews Liner Notes, Producer
Paul Bacon Design, Cover Production
Tommy Nola Engineer
Tenor-saxophonist Benny Golson's third recording as a leader was significant in two ways. It was his first opportunity to work with trombonist Curtis Fuller (the two would be members of The Jazztet by 1960) and it was one of his first chances to really stretch out on record as a soloist; up to this point Golson was possibly better known as a composer. Three of the six originals on this CD reissue of a Riverside date are Golson's ("Are You Real" was the closest one to catching on) but the emphasis is on the solos of the leader, Fuller and pianist Barry Harris; bassist Jymie Merritt and drummer Philly Joe Jones are excellent in support. ~ Scott Yanow, All Music Guide
Benny Golson
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Jan 25, 1929 in Philadelphia, PA
Genre: Jazz
Styles: Hard Bop, Mainstream Jazz, Post-Bop
Benny Golson is a talented composer/arranger whose tenor playing has continued to evolve with time. After attending Howard University (1947-1950) he worked in Philadelphia with Bull Moose Jackson's R&B band (1951) at a time when it included one of his writing influences, Tadd Dameron on piano. Golson played with Dameron for a period in 1953, followed by stints with Lionel Hampton (1953-1954), and Johnny Hodges and Earl Bostic (1954-1956). He came to prominence while with Dizzy Gillespie's globetrotting big band (1956-1958), as much for his writing as for his tenor playing (the latter was most influenced by Don Byas and Lucky Thompson). Golson wrote such standards as "I Remember Clifford" (for the late Clifford Brown), "Killer Joe," "Stablemates," "Whisper Not," "Along Came Betty," and "Blues March" during 1956-1960. His stay with Art Blakey's Jazz Messengers (1958-1959) was significant, and during 1959-1962 he co-led the Jazztet with Art Farmer. From that point on Golson gradually drifted away from jazz and concentrated more on working in the studios and with orchestras including spending a couple of years in Europe (1964-1966). When Golson returned to active playing in 1977, his tone had hardened and sounded much closer to Archie Shepp than to Don Byas. Other than an unfortunate commercial effort for Columbia in 1977, Golson has recorded consistently rewarding albums (many for Japanese labels) since that time including a reunion with Art Farmer and Curtis Fuller in a new Jazztet. Through the years he has recorded as a leader for Contemporary, Riverside, United Artists, New Jazz, Argo, Mercury, and Dreyfus among others. Returning once again to the spirit of the original Jazztet, Golson released New Time, New 'Tet on Concord Records in 2009.
---Scott Yanow, All Music Guide |
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