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Benny Golson and the Philadelphians
Benny Golson
első megjelenés éve: 1958
57 perc
(1998)

CD
3.801 Ft 

 

IMPORT!
Kosaramba teszem
1.  You're Not the Kind
2.  Blues on My Mind
3.  Stablemates
4.  Thursday's Theme
5.  Afternoon in Paris
6.  Calgary
7.  Blues March
8.  I Remember Clifford
9.  Moanin'
10.  Stablemates [Second Version]
Jazz / Hard Bop

Benny Golson - Sax (Tenor)
Bobby Timmons - Piano
Christian Garros - Drums
Lee Morgan - Trumpet
Louis Victor Mialy Producer
Michael Cuscuna Producer
Percy Heath Bass
Philly Joe Jones Drums
Pierre Michelot Bass
Ray Bryant Piano
Roger Guerin Trumpet
Tom Wilson Producer

The title of this 1998 CD reissue is a little inaccurate. This set does have a six-song session with the all-Philadelphia crew of tenor saxophonist Benny Golson, trumpeter Lee Morgan, pianist Ray Bryant, bassist Percy Heath and drummer Philly Joe Jones. But there are also four numbers from a month later in which Golson and pianist Bobby Timmons are joined by a trio of Frenchmen: trumpeter Roger Guerin (who was actually the date's leader), bassist Pierre Michelot and drummer Christian Garros. Ironically, the previous Swing LP had the equally inaccurate title of Benny Golson In Paris; the first date was actually cut in New York. In any case, the music is quite enjoyable, and the two dates match well together. Golson, Morgan and Bryant take excellent solos on three Golson tunes and one apiece by Bryant, John Lewis ("Afternoon In Paris") and Gigi Gryce. The French session finds the band performing four numbers from the Jazz Messengers songbook: "Stablemates" (which is on both dates), "Moanin'," "I Remember Clifford" and "Blues March." Guerin sounds fine filling in for Lee Morgan. Throughout, Golson is at the peak of his playing ability, and he often emerges as the solo star. Recommended for hard bop collectors. ~ Scott Yanow, All Music Guide



Benny Golson

Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Jan 25, 1929 in Philadelphia, PA
Genre: Jazz
Styles: Hard Bop, Mainstream Jazz, Post-Bop

Benny Golson is a talented composer/arranger whose tenor playing has continued to evolve with time. After attending Howard University (1947-1950) he worked in Philadelphia with Bull Moose Jackson's R&B band (1951) at a time when it included one of his writing influences, Tadd Dameron on piano. Golson played with Dameron for a period in 1953, followed by stints with Lionel Hampton (1953-1954), and Johnny Hodges and Earl Bostic (1954-1956). He came to prominence while with Dizzy Gillespie's globetrotting big band (1956-1958), as much for his writing as for his tenor playing (the latter was most influenced by Don Byas and Lucky Thompson). Golson wrote such standards as "I Remember Clifford" (for the late Clifford Brown), "Killer Joe," "Stablemates," "Whisper Not," "Along Came Betty," and "Blues March" during 1956-1960. His stay with Art Blakey's Jazz Messengers (1958-1959) was significant, and during 1959-1962 he co-led the Jazztet with Art Farmer. From that point on Golson gradually drifted away from jazz and concentrated more on working in the studios and with orchestras including spending a couple of years in Europe (1964-1966). When Golson returned to active playing in 1977, his tone had hardened and sounded much closer to Archie Shepp than to Don Byas. Other than an unfortunate commercial effort for Columbia in 1977, Golson has recorded consistently rewarding albums (many for Japanese labels) since that time including a reunion with Art Farmer and Curtis Fuller in a new Jazztet. Through the years he has recorded as a leader for Contemporary, Riverside, United Artists, New Jazz, Argo, Mercury, and Dreyfus among others. Returning once again to the spirit of the original Jazztet, Golson released New Time, New 'Tet on Concord Records in 2009.
---Scott Yanow, All Music Guide

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