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2 x CD |
| 6.861 Ft
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| 1. CD tartalma: |
| 1. | Sinbad the Sailor
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| 2. | Lonely Moment
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| 3. | Without a Song
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| 4. | How High the Moon
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| 5. | What Can I Tell My Heart
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| 6. | After the Rain
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| 7. | Tyree's Tune
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| 8. | Until the Real Thing Comes Along
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| 9. | I Thought about You
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| 10. | I Wanna Be Loved
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| 11. | Too Marvelous for Words
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| 12. | Touch Me Tonight
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| 13. | Sunday
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| 14. | Just a Wearyin' for You
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| 15. | There will never Be Another You
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| 16. | All of Me
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| 17. | Royal Garden Blues
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| 2. CD tartalma: |
| 1. | Wonder Why
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| 2. | Dear Old Southland
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| 3. | Them There Eyes
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| 4. | Sweet and Lovely
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| 5. | Marcheta
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| 6. | Limehouse Blues
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| 7. | By and By when Morning Comes
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| 8. | Stomping at the Savoy
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| 9. | On The Alamo
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| 10. | Lonesome Road
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| 11. | Some Other Spring
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| 12. | Waycross Walk
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| 13. | Mack the Knife
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| 14. | 'Til There Was You
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| 15. | Avalon
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| 16. | Learn to Croon
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| 17. | Blue Lou
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| 18. | (Back Home Again In) Indiana
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Jazz
Recorded: NYC, 1957-58 and Chicago, 1961
Hank Jones - Piano
Tyree Glenn - Vibraphone, Trombone
Harold Baker - Trumpet
Jo Jones - Drums
Mary Osborne - Guitar
Milt Hinton - Bass
Tommy Potter - Bass
Three albums never previously released on CD:
- Tyree Glenn's 'At the Embers' (Roulette R-25009)
- Tyree Glenn's 'At the Roundtable' (Roulette SR-25050)
- Tyree Glenn's 'At the London House' (Roulette SR-25138)
Although pianist Hank Jones gets first billing on this two-disc set from Lone Hill Jazz, it actually contains three complete Tyree Glenn-led sessions that were originally released on LP by Roulette Records as At the Embers, At the Roundtable and At the London House in 1957, 1958 and 1961. Featuring Glenn on trombone and vibraphone running through swing and bop standards backed by a world-class rhythm section of Jones, Milt Hinton and Jo Jones, Quintet/Sextet Complete Recordings makes a fine introduction to an often over-looked and completely professional jazz player. Among the highlights are Glenn's own "After the Rain" (not to be confused with the later John Coltrane composition by the same title), a jaunty "I Wanna Be Loved," and a shimmering vibraphone turn at "Limehouse Blues." ~ Steve Leggett, All Music Guide
Hank Jones
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Jul 31, 1918 in Vicksburg, MS
Genre: Jazz
The oldest of the three illustrious Jones brothers (which include Thad and Elvin), Hank Jones was also the first of the great Detroit pianists (including Tommy Flanagan, Barry Harris and Roland Hanna) to emerge after World War II although by then he had long since left town. Jones played in territory bands while a teenager and in 1944 he moved to New York to play with Hot Lips Page. He had stints with John Kirby, Howard McGhee, Coleman Hawkins, Andy Kirk and Billy Eckstine. Influenced by Teddy Wilson and Art Tatum, Jones' style was also open to bebop and his accessible playing was flexible enough to fit into many genres. He was on several Jazz at the Philharmonic tours (starting in 1947), worked as accompanist for Ella Fitzgerald (1948-53) and recorded with Charlie Parker. In the 1950s Jones performed with Artie Shaw, Benny Goodman, Lester Young, Cannonball Adderley and many others. He was on the staff of CBS during 1959-1976 but always remained active in jazz. In the late '70s Jones was the pianist in the Broadway musical Ain't Misbehavin' and he recorded with a pickup unit dubbed the Great Jazz Trio which at various times includes Ron Carter, Buster Williams or Eddie Gomez on bass and Tony Williams, Al Foster or Jimmy Cobb on drums. Among the many labels that Hank Jones has recorded for as a leader are Verve, Savoy, Epic, Golden Crest, Capitol, Argo, ABC-Paramount, Impulse, Concord, East Wind, Muse, Galaxy, Black & Blue, MPS, Inner City and Chiaroscuro.
---Scott Yanow, All Music Guide |
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