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| Hustlin' and Bustlin' [Japan version] |
| Ruby Braff |
japán
első megjelenés éve: 2003
66 perc |
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| (2003)
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CD |
| 9.417 Ft
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| 1. | Hustlin' and Bustlin' for Baby
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| 2. | There's a Small Hotel
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| 3. | What's the Reason (I'm Not Pleasing You?)
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| 4. | 'S Wonderful
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| 5. | I Wish I Could Shimmy Like My Sister Kate
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| 6. | When It's Sleepy Time Down South
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| 7. | Flaky
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| 8. | Shoe Shine Boy
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| 9. | Fine and Mellow
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| 10. | Ad Lib Blues
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Jazz / New Orleans Jazz, Mainstream Jazz, New Orleans Jazz Revival
Ruby Braff - Arranger, Trumpet
Al Drootin - Clarinet, Sax (Tenor)
Alan Bates Producer
Albert McCarthy Liner Notes
Bobby Donaldson Drums
Buzzy Drootin Drums
David Redfern Sleeve Photo
Dick La Fave Trombone
Dick Le Fave Trombone
Edmond Hall Clarinet
George Wein Piano, Engineer
Jo Jones Drums
John Field Bass
Jon Field Bass
Ken Kersey Piano
Malcolm Walker Cover Design
Milt Hinton Bass
Sam Margolis Sax (Tenor)
Vic Dickenson Vocals, Trombone
Trumpeter Ruby Braff puts so much passion into each note he plays that, even when performing familiar dixieland and swing tunes, he is able to immediately uplift the material. On this CD reissue of a Black Lion LP, Braff is heard with three different groups. The bulk of the date features him in a quintet with tenor saxophonist Sam Margolis, pianist Ken Kersey, bassist Milt Hinton, and drummer Bobby Donaldson; highlights include "Hustlin' and Bustlin' for Baby," "There's a Small Hotel," and "Shoe Shine Boy." In addition there are three numbers recorded live at Storyville with an all-star sextet that includes trombonist Vic Dickenson and clarinetist Edmond Hall and one number ("When It's Sleepy Time Down South") with an octet. This set offers listeners a good example of Ruby Braff's playing in his early days. ~ Scott Yanow, All Music Guide
Ruby Braff
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Mar 16, 1927 in Boston, MA
Died: Feb 09, 2003 in Chatham, MA
Genre: Jazz
Styles: Swing, New Orleans Jazz, Mainstream Jazz, Standards, Dixieland Revival
One of the great swingDixieland cornetists, Ruby Braff went through long periods of his career unable to find work because his music was considered out-of-fashion, but his fortunes improved by the 1970s. A very expressive player who in later years liked to build his solos up to a low note, Braff's playing was instantly recognizable within seconds.
Braff mostly worked around Boston in the late '40s. He teamed up with Pee Wee Russell when the clarinetist was making a comeback (they recorded live for Savoy), and after moving to New York in 1953, he fit easily into a variety of Dixieland and mainstream settings. Braff recorded for Vanguard as a leader, and with Vic Dickenson, Buck Clayton, and Urbie Green. He was one of the stars of Buck Clayton's Columbia jam sessions, and in the mid-'50s worked with Benny Goodman. But, despite good reviews and occasional recordings, work was hard for Braff to come by at times. In the 1960s, he was able to get jobs by being with George Wein's Newport All-Stars and at jazz festivals, but it was not until the cornetist formed a quartet with guitarist George Barnes, in 1973, that he became more secure. Afterward, Braff was heard in many small-group settings, including duets with Dick Hyman and Ellis Larkins (he had first met up with the latter in the 1950s), quintets with Scott Hamilton, and matching wits with Howard Alden. He remained one of the greats of mainstream jazz until his death in 2003.
---Scott Yanow, All Music Guide |
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