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| Modern Jazz Archive - Tempus Fugit / Parisian Thorough |
| Bud Powell |
német
első megjelenés éve: 2004
122 perc |
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| (2010)
[ DIGIPACK ]
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2 x CD |
| 3.726 Ft
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| 1. CD tartalma: |
| 1. | Bud's Bubble
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| 2. | I'll Remember April
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| 3. | Nice Work If You Can Get It
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| 4. | Tempus Fugit
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| 5. | Celia
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| 6. | Cherokee
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| 7. | I'll Keep Loving You
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| 8. | Strictly Confidential
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| 9. | All God's Chillun Got Rhythm
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| 10. | Ornithology
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| 11. | All God's Chillun Got Rhythm
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| 12. | Sonny Side
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| 13. | Bud's Blues
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| 14. | Sunset
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| 15. | Fine and Dandy [Take 1]
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| 16. | Fine and Dandy [Take 2]
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| 17. | Strike Up the Band
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| 18. | I Want to Be Happy
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| 19. | Taking a Chance on Love
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| 20. | So Sorry Please
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| 2. CD tartalma: |
| 1. | Get Happy
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| 2. | Sometimes I'm Happy
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| 3. | Sweet Georgia Brown
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| 4. | Yesterdays
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| 5. | April in Paris
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| 6. | Body and Soul
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| 7. | Tea for Two
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| 8. | Hallelujah
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| 9. | Parisian Thoroughfare
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| 10. | Oblivion
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| 11. | Dusk in Sandi
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| 12. | Hallucinations
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| 13. | The Fruit
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| 14. | A Nightingale in Berkeley Square
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| 15. | Just One of Those Things
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| 16. | The Last Time I Saw Paris
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| 17. | Un Poco Loco
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| 18. | Over the Rainbow
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| 19. | A Night in Tunisia
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| 20. | Glass Enclosure
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Jazz / Bop
CD 1: Tempus Fugit - 57:33 min.
Bud's Bubble
I'll Remember April
Nice Work If You Can Get It
New York, January 10, 1947
Bud Powell (p), Curly Russell (b), Max Roach (d)
Tempus Fugit
Celia
Cherokee
I'll Keep Loving You
Strictly Confidential
All God's Chillun Got Rhythm
New York, May 1949
Bud Powell (p), Ray Brown (b), Max Roach (d)
Ornithology
New York, August 8, 1949
Bud Powell (p), Tommy Potter (b), Roy Haynes (d)
All God’s Chillun Got Rhythm
Sonny Side
Bud’s Blues
Sunset
December 11, 1949
Bud Powell (p), Sonny Stitt (ts), Curly Russell (b), Max Roach (d)
CD 2: Parisian Thoroughfare - 63:31 min.
Get Happy
Sometimes I'm Happy
Sweet Georgia Brown
Yesterdays
April In Paris
Body And Soul
New York, Jan,-Feb,, 1950
Bud Powell (p), Curly Russell (b), Max Roach (d)
Tea For Two
Hallelujah
New York, July, 1950
Bud Powell (p), Ray Brown (b), Buddy Rich (d)
Parisian Thoroughfare
Oblivion
Dusk In Sand
Hallucinations
The Fruit
A Nightingale In Berkeley Square
Just One Of Those Things
The Last Time I Saw Paris
New York, February, 1951
Bud Powell (p)
Un Poco Loco
A Night In Tunisia
New York, May 1, 1951
Bud Powell (p), Curly Russell (b), Max Roach (d)
Over The Rainbow
New York, May 1, 1951
Bud Powell (p)
Glass Enclosure
New York, August 14, 1953
Bud Powell (p), George Duvivier (b), Art Taylor (d)
German two CD compilation packaged in a digipak with 20 page booklet.
Bud Powell
Active Decades: '40s, '50s and '60s
Born: Sep 27, 1924 in New York, NY
Died: Jul 31, 1966 in New York, NY
Genre: Jazz
Styles: Bop
One of the giants of the jazz piano, Bud Powell changed the way that virtually all post-swing pianists play their instruments. He did away with the left hand striding that had been considered essential earlier and used his left hand to state chords on an irregular basis. His right often played speedy single-note lines, essentially transforming Charlie Parker's vocabulary to the piano (although he developed parallel to "Bird").
Tragically, Bud Powell was a seriously ill genius. After being encouraged and tutored to an extent by his friend Thelonious Monk at jam sessions in the early '40s, Powell was with Cootie Williams' orchestra during 1943-1945. In a racial incident, he was beaten on the head by police; Powell never fully recovered and would suffer from bad headaches and mental breakdowns throughout the remainder of his life. Despite this, he recorded some true gems during 1947-1951 for Roost, Blue Note, and Verve, composing such major works as "Dance of the Infidels," "Hallucinations" (also known as "Budo"), "Un Poco Loco," "Bouncing With Bud," and "Tempus Fugit." Even early on, his erratic behavior resulted in lost opportunities (Charlie Parker supposedly told Miles Davis that he would not hire Powell because "he's even crazier than me!"), but Powell's playing during this period was often miraculous.
A breakdown in 1951 and hospitalization that resulted in electroshock treatments weakened him, but Powell was still capable of playing at his best now and then, most notably at the 1953 Massey Hall Concert. Generally in the 1950s his Blue Notes find him in excellent form, while he is much more erratic on his Verve recordings. His warm welcome and lengthy stay in Paris (1959-1964) extended his life a bit, but even here Powell spent part of 1962-1963 in the hospital. He returned to New York in 1964, disappeared after a few concerts, and did not live through 1966.
In later years, Bud Powell's recordings and performances could be so intense as to be scary, but other times he sounded quite sad. However, his influence on jazz (particularly up until the rise of McCoy Tyner and Bill Evans in the 1960s) was very strong and he remains one of the greatest jazz pianists of all time.
---Scott Yanow, All Music Guide |
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