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| 4.290 Ft
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| 1. | Not a Tear
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| 2. | Portrait of Jennie
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| 3. | Swinging 'Til the Girls Come Home
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| 4. | My Ship
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| 5. | Out Front
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| 6. | Never
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| 7. | Blues on Purpose
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| 8. | If You Could See Me Now
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| 9. | Six-Eight
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| 10. | It's All Right
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| 11. | South Seas
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| 12. | Kelly Roll
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| 13. | Moving Up
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| 14. | On the Trail [from 'The Grand Canyon Suite']
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| 15. | Escapade
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| 16. | One for Joan
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| 17. | The Fall of Love [From the Fall of the Roman Empire]
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| 18. | Bobo
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Jazz
Tracks #3-9 & 18 from "Undiluted" (Verve V6 8622)
Recorded: Rudy Van Gelder Studio, Englewood Cliffs, New Jersey, February 5, 1965
Tracks #1-2 & 10-17 from "It's All Right!" (Verve V6 8588)
Recorded: New York, March 10-19, 1964
Wynton Kelly (p)
Paul Chambers (b) and Jimmy Cobb (d). Kenny Burrell (g) and Candido Camero (perc) appear on #1-2, 10, 12-14 & 17
This release includes two complete original Verve albums by the Wynton Kelly Trio: "Undiluted" and "It’s All Right!". Stars like Kenny Burrell and Candido Camero appear as guests on some tunes, but the regular trio with Paul Chambers and Jimmy Cobb is the main force behind these recordings. The splendid rhythm section from the 1959-1961 Miles Davis Quintet is heard here in top form.
The Wynton Kelly Trio (consisting of the pianist, bassist Paul Chambers and drummer Jimmy Cobb) are augmented by guitarist Kenny Burrell and percussionist Candido on this 1964 set. The music is essentially easy-listening jazz with concise versions of ten numbers, including a rendition of Charles Lloyd's "One for Joan" that was only previously out in Europe [...] The best are "Portrait of Jeannie" and "On the Trail.
---Scott Yanow -All Music Guide
Wynton Kelly
Active Decades: '50s, '60s and '70s
Born: Dec 02, 1931 in Jamaica
Died: Apr 12, 1971 in Toronto, Ontario, Canada
Genre: Jazz
Styles: Hard Bop
A superb accompanist loved by Miles Davis and Cannonball Adderley, Wynton Kelly was also a distinctive soloist who decades later would be a strong influence on Benny Green. He grew up in Brooklyn and early on played in R&B bands led by Eddie "Cleanhead" Vinson, Hal Singer, and Eddie "Lockjaw" Davis. Kelly, who recorded 14 titles for Blue Note in a trio (1951), worked with Dinah Washington, Dizzy Gillespie, and Lester Young during 1951-1952. After serving in the military, he made a strong impression with Washington (1955-1957), Charles Mingus (1956-1957), and the Dizzy Gillespie big band (1957), but he would be most famous for his stint with Miles Davis (1959-1963), recording such albums with Miles as Kind of Blue, At the Blackhawk, and Someday My Prince Will Come. When he left Davis, Kelly took the rest of the rhythm section (bassist Paul Chambers and drummer Jimmy Cobb) with him to form his trio. The group actually sounded at its best backing Wes Montgomery. Before his early death, Kelly recorded as a leader for Blue Note, Riverside, Vee-Jay, Verve, and Milestone.
---Scott Yanow, All Music Guide |
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