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Kérjen
árajánlatot! |
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| 1. | Cherry
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| 2. | Let's Make It
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| 3. | How Long Has This Been Going On?
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| 4. | They Say
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| 5. | Fine Shape
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| 6. | Fallout
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| 7. | Thou Swell
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| 8. | Tuffy
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| 9. | Love for Sale
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| 10. | Twilight
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| 11. | Don't Take Your Love from Me
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| 12. | Chrisdee
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| 13. | Stardust
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| 14. | Free for All
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| 15. | There Is No Greater Love
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| 16. | Sneakyoso
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| 17. | There Is No Greater Love [Alternate Take][*]
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Jazz
Frank Rosolino (tb)
Richie Kamuca, Harold Land (ts), Vince Guaraldi, Victor Feldman (p), Monty Budwig, Leroy Vinnegar (b), Stan Levey (d), Harold Land (ts), Victor Feldman (p), Leroy Vinnegar (b), Stan Levey (d)
Tracks #1-8 from "Frank Rosolino Quintet" (Mode LP 107)
Tracks #9-17 from "Free For All" (Specialty SPS-2161)
Tracks #1-8:
Recorded in Los Angeles, June 1957
Frank Rosolino (tb), Richie Kamuca (ts), Vince Guaraldi (p), Monty Budwig (b) and Stan Levey (d)
Tracks #9-17:
Recorded in Hollywood, on December 22, 1958
Frank Rosolino (tb), Harold Land (ts), Victor Feldman (p), Leroy Vinnegar (b) and Stan Levey (d)
This release contains two of legendary trombonist Frank Rosolino's finest quintet sessions: "The Frank Rosolino Quintet" (1957); and "Free For All" (1958), both albums gems of the jazz trombone.
01. CHERRY (4:57)
02. LET'S MAKE IT (3:01)
03. HOW LONG HAS THIS BEEN GOING ON? (3:39)
04. THEY SAY (4:31)
05. FINE SHAPE (4:19)
06. FALLOUT (3:59)
07. THOU SWELL (3:19)
08. TUFFY (4:11)
09. LOVE FOR SALE (5:33)
10. TWILIGHT (3:51)
11. DON'T TAKE YOUR LOVE FROM ME (5:29)
12. CHRISDEE (4:29)
13. STARDUST (5:05)
14. FREE FOR ALL (4:47)
15. THERE IS NO GREATER LOVE (4:39)
16. SNEAKYOSO (6:55)
17. THERE IS NO GREATER LOVE [Alternate Take] (4:55)
-Frank Rosolino Quintet
This session for the short-lived Mode label remains the zenith of Frank Rosolino's recorded output. Paired with a stellar support unit featuring pianist Vince Guaraldi, tenorist Richie Kamuca, bassist Monty Budwig, and drummer Stan Levey, the trombonist not only delivers some of the most dazzling solos of his career, but also proves himself a gifted composer, contributing a handful of original tunes that fit comfortably alongside standards like Gershwin's "How Long Has This Been Going On?" Largely eschewing more uptempo fare, Rosolino instead favors a simmering, soulful bop approach that champions feeling as much as technique. This is music with genuine emotional heft and intellectual edge.
---Jason Ankeny -All Music Guide
-Free For All
The fine bop trombonist Frank Rosolino teams up with tenor saxophonist Harold Land and a West Coast rhythm section (pianist Victor Feldman, bassist Leroy Vinnegar and drummer Stan Levey) for a set of standards and melodic group originals. Originally cut for Specialty, the formerly rare session has its strong moments although it is not really all that essential but fans of Rosolino and Land will want to get it.
---Scott Yanow -All Music Guide
Frank Rosolino was a towering genius and a trombone virtuoso of the jazz genre. His style was unique and instantly recognizable.
---J.J. Johnson
Frank Rosolino
Active Decades: '50s, '60s and '70s
Born: Aug 20, 1926 in Detroit, MI
Died: Nov 26, 1978 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Cool, Third Stream, Mainstream Jazz
The horrible way that Frank Rosolino's life ended (killing himself after shooting his two sons) has largely overshadowed his earlier musical accomplishments. One of the top trombonists of the 1950s, Rosolino's fluid and often-humorous style put him near the top of his field for awhile.
He was a guitarist when he was ten, but switched to trombone as a teenager. After serving in the military, Rosolino played with the big bands of Bob Chester, Glen Gray, Gene Krupa (1948-1949), Tony Pastor, Herbie Fields, and Georgie Auld. However, all of those experiences were just preludes to his high-profile association with Stan Kenton (1952-1954), which gave him fame. Rosolino recorded frequently in Los Angeles as a member of the Lighthouse All-Stars (1954-1960), a freelancer, and as a studio musician. His song "Blue Daniel" became a jazz standard, and Rosolino was a popular attraction as a brilliant trombonist and a comical singer. He was with Supersax for a period in the 1970s. Rosolino's shocking ending was a surprise to even his closest associates.
---Scott Yanow, All Music Guide |
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