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| 4.999 Ft
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| 1. | Happy Feet
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| 2. | Hyacinth
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| 3. | Ally
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| 4. | Minuet In G
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| 5. | All About Art
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| 6. | People
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| 7. | Saucer Eyes
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| 8. | Summertime
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| 9. | Bess, You Is My Woman
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| 10. | I Loves You Porgy
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| 11. | I Got Plenty Of Nothing
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| 12. | Bess, Oh Where Is My Bess
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| 13. | Redhead Woman
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| 14. | My Man's Gone Now
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| 15. | It Takes A Long Pull To Get There
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| 16. | It Ain't Necessarily So
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| 17. | There's A Boat That's Leaving Soon For New York
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Jazz / Bop, Cool, Hard Bop
Art Farmer (flhrn)
Charles McPherson (as), Tommy Flanagan (p), Steve Swallow (b on 1, 3, 5 & 6), Ron Carter (b on 2, 4 & 7), Bobby Thomas (d)
Two albums for the first time on CD!
- Art Quintet: The many faces of Art Farmer"
- Mundell Lowe Septet: "Porgy and Bess"
#1-7: "THE MANY FACES OF ART FARMER" (Scepter, 1964)
Recorded in studio, New York, 1964 for the legendary Scepter label (later home to singer Dionne Warwick)
Art Farmer (flhrn), Charles McPherson (as), Tommy Flanagan (p), Steve Swallow (b on 1, 3, 5 & 6), Ron Carter (b on 2, 4 & 7), Bobby Thomas (d)
#8-17: Bonus Album: MUNDELL LOWE SEPTET "PORGY & BESS" (Camden, 1958)
Recorded in studio, New York, July 16 & 17, 1958
Art Farmer (tp), Don Elliott (mellophone, vib), Tony Scott (cl, bar), Ben Webster (ts), Mundell Lowe (g), George Duvivier (b), Osie Johnson (d).
Art Farmer
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Aug 21, 1928 in Council Bluffs, IA
Died: Oct 04, 1999 in New York, NY
Genre: Jazz
Styles: Bop, Cool, Hard Bop, Mainstream Jazz, Post-Bop
Largely overlooked during his formative years, Art Farmer's consistently inventive playing was more greatly appreciated as he continued to develop. Along with Clark Terry, Farmer helped to popularize the flugelhorn among brass players. His lyricism gave his bop-oriented style its own personality. Farmer studied piano, violin and tuba before settling on trumpet. He worked in Los Angeles from 1945 on, performing regularly on Central Avenue and spending time in the bands of Johnny Otis, Jay McShann, Roy Porter, Benny Carter and Gerald Wilson among others; some of the groups also included his twin brother bassist Addison Farmer (1928-63). After playing with Wardell Gray (1951-52) and touring Europe with Lionel Hampton's big band (1953) Farmer moved to New York and worked with Gigi Gryce (1954-56), Horace Silver's Quintet (1956-58) and the Gerry Mulligan Quartet (1958-9). Farmer, who made many recordings in the latter half of the 1950s (including with Quincy Jones and George Russell and on some jam-session dates for Prestige) co-led the Jazztet with Benny Golson (1959-62) and then had a group with Jim Hall (1962-64). He moved to Vienna in 1968 where he joined the Austrian Radio Orchestra, worked with the Kenny Clarke-Francy Boland Big Band and toured with his own units. Since the 1980s Farmer visited the U.S. more often and has remained greatly in demand up until his death on October 4, 1999. Farmer recorded many sessions as a leader through the years including for Prestige, Contemporary, United Artists, Argo, Mercury, Atlantic, Columbia, CTI, Soul Note, Optimism, Concord, Enja and Sweet Basil.
---Scott Yanow, All Music Guide |
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