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| 4.999 Ft
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| 1. | So Beats My Heart For You
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| 2. | Goodbye, Old Girl
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| 3. | Who Cares
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| 4. | Out Of The Past
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| 5. | Younger Than Springtime
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| 6. | The Best Thing For You Is Me
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| 7. | I'm A Fool To Want You
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| 8. | That Old Devil Called Love
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| 9. | Punsu
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| 10. | The Day After
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| 11. | Lullaby Of The Leaves
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| 12. | Kayin'
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| 13. | Tonk
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| 14. | Blue Room
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| 15. | Change Partners
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| 16. | Nobody's Heart
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Jazz
Art Farmer (tp)
Tommy Flanagan (p), Tommy Williams (b), Albert Heath (d)
Art Farmer (tp)
Harold Mabern (p), Tommy Williams (b), Roy McCurdy (d)
#1-8: "ART" (1960)
Recorded in studio, New York, September 21-23, 1960
Art Farmer (tp), Tommy Flanagan (p), Tommy Williams (b), Albert "Tootie" Heath (d).
#9-16: "PERCEPTION" (1961)
Recorded in studio, New York, October 25-27, 1961
Art Farmer (tp), Harold Mabern (p), Tommy Williams (b) and Roy McCurdy (d)
Two very special Art Farmer quartet dates from the 1960s with a stellar cast of sidemen. Of the albums here, Art Farmer said, "I wanted to do a very intimate session. I wanted it to sound as if I were just sitting and talking to someone with the horn, talking to just one person. The feeling was to be as if the horn were in the room, right next to the listener." We think Art Famer sounds amazing on these two LPs and you will too.
Art Farmer
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Aug 21, 1928 in Council Bluffs, IA
Died: Oct 04, 1999 in New York, NY
Genre: Jazz
Styles: Bop, Cool, Hard Bop, Mainstream Jazz, Post-Bop
Largely overlooked during his formative years, Art Farmer's consistently inventive playing was more greatly appreciated as he continued to develop. Along with Clark Terry, Farmer helped to popularize the flugelhorn among brass players. His lyricism gave his bop-oriented style its own personality. Farmer studied piano, violin and tuba before settling on trumpet. He worked in Los Angeles from 1945 on, performing regularly on Central Avenue and spending time in the bands of Johnny Otis, Jay McShann, Roy Porter, Benny Carter and Gerald Wilson among others; some of the groups also included his twin brother bassist Addison Farmer (1928-63). After playing with Wardell Gray (1951-52) and touring Europe with Lionel Hampton's big band (1953) Farmer moved to New York and worked with Gigi Gryce (1954-56), Horace Silver's Quintet (1956-58) and the Gerry Mulligan Quartet (1958-9). Farmer, who made many recordings in the latter half of the 1950s (including with Quincy Jones and George Russell and on some jam-session dates for Prestige) co-led the Jazztet with Benny Golson (1959-62) and then had a group with Jim Hall (1962-64). He moved to Vienna in 1968 where he joined the Austrian Radio Orchestra, worked with the Kenny Clarke-Francy Boland Big Band and toured with his own units. Since the 1980s Farmer visited the U.S. more often and has remained greatly in demand up until his death on October 4, 1999. Farmer recorded many sessions as a leader through the years including for Prestige, Contemporary, United Artists, Argo, Mercury, Atlantic, Columbia, CTI, Soul Note, Optimism, Concord, Enja and Sweet Basil.
---Scott Yanow, All Music Guide |
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