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| 5.451 Ft
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| 1. | Once I Loved
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| 2. | Se E' Tarde Me Perdoa
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| 3. | Meditacao
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| 4. | Duas Contas
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| 5. | But Not for Me
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| 6. | Ho-Bá-Lá-Lá
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| 7. | Chega de Saudade
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| 8. | On a Slow Boat to China
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| 9. | Wave
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| 10. | How Insensitive
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| 11. | Four
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| 12. | Samba de Uma Nota So
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Jazz / Cool, Post-Bop, Brazilian Jazz
Lee Konitz - Sax (Alto), Leader
Fabio Alfonsi Mastering
Irio de Paula Guitar (Acoustic)
Luciano Rossetti Photography
Paolo Falascone Engineer
Paolo Piangiarelli Producer, Liner Notes
Paolo Piangiarelli produced a series of inspired sessions featuring Phil Woods (who played clarinet exclusively on this occasion) in 2000 for his Philology label, so it isn't surprising that he went back into the studio the following year, pairing some of the same supporting musicians with the brilliant alto saxophonist Lee Konitz. Accompanying the jazz veteran on this date is guitarist Irio De Paula, who many jazz fans may have first discovered in his earlier duo date with Woods, Encontro (On Jobim). Konitz's unique dry yet lyrical approach to his instrument meshes well with De Paula in a program mostly consisting of bossa novas by Antonio Carlos Jobim. Konitz frequently sits back and enjoys De Paula's imaginative introductions to favorites such as "Meditacao" (also known as "Meditation") and the still very popular "Wave." But there are a few twists in the program, including lively takes of classic standards such as "But Not for Me" and "On a Slow Boat to China," and a very enjoyable bossa nova interpretation of Miles Davis' "Four." This CD should be considered an essential acquisition by any serious fan of Konitz. ~ Ken Dryden, All Music Guide
Lee Konitz
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Oct 13, 1927 in Chicago, IL
Genre: Jazz
Styles: Modern Creative, Cool, Post-Bop
One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully. Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill's Orchestra (1947). He began studying with Lennie Tristano, who had a big influence on his conception and approach to improvising. Konitz was with Miles Davis's Birth of the Cool Nonet during their one gig and their Capitol recordings (1948-1950) and recorded with Lennie Tristano's innovative sextet (1949), including the first two free improvisations ever documented. Konitz blended very well with Warne Marsh's tenor (their unisons on "Wow" are miraculous) and would have several reunions with both Tristano and Marsh through the years, but he was also interested in finding his own way; by the early '50s he started breaking away from the Tristano school. Konitz toured Scandinavia (1951), where his cool sound was influential, and he fit in surprisingly well with Stan Kenton's Orchestra (1952-1954), being featured on many charts by Bill Holman and Bill Russo. Konitz was primarily a leader from that point on. He almost retired from music in the early '60s but re-emerged a few years later. His recordings have ranged from cool bop to thoughtful free improvisations, and his Milestone set of Duets (1967) is a classic. In the late '70s Konitz led a notable nonet and in 1992 he won the prestigious Jazzpar Prize. He kept a busy release schedule throughout the '90s and dabbled in the world of classical with 2000's French Impressionist Music from the Turn of the Twentieth Century. The Mark Masters Ensemble joined him for 2004's One Day with Lee. And in 2007 he recorded Portology with the Ohad Talmor Big Band. He has recorded on soprano and tenor but has mostly stuck to his distinctive alto.Konitz has led consistently stimulating sessions for many labels, including Prestige, Dragon, Pacific Jazz, Vogue, Storyville, Atlantic, Verve, Wave, Milestone, MPS, Polydor, Bellaphon, SteepleChase, Sonet, Groove Merchant, Roulette, Progressive, Choice, IAI, Chiaroscuro, Circle, Black Lion, Soul Note, Storyville, Evidence, and Philogy.
---Scott Yanow, All Music Guide |
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