  |
|
|
 |
|
CD |
| 4.145 Ft
|
|
| 1. | Wonderful Copenhagen
|
| 2. | My One Bad Habit Is Falling In Love
|
| 3. | Tangerine
|
| 4. | The Wright Groove
|
| 5. | Like Someone In Love
|
| 6. | Watusi Drums
|
| 7. | Shish Kebab*
|
| 8. | Fare Thee Well, Annabelle*
|
| 9. | Don't Worry About Me*
|
| 10. | Lover Come Back To Me*
|
| 11. | Royal Garden Blues*
|
| 12. | How High The Moon*
|
| 13. | Love Walked In
|
Jazz
Dave Brubeck (p)
Paul Desmond (as), Eugene 'Senator' Wright (b), Joe Morello (d)
#1-6:
Recorded live in Copenhagen, Denmark, on March 5, 1958
Dave Brubeck (p), Paul Desmond (as), Eugene 'Senator' Wright (b) and Joe Morello (d)
Bonus tracks #7-13:
Recorded live in New York City, in September, 1956
Dave Brubeck (p), Paul Desmond (as), Norman Bates (b), and Joe Dodge (d)
2009 release containing the complete original album The Dave Brubeck Quartet in Europe. Recorded live in Copenhagen, it contains Brubeck's only known version of Frank Loesser's 'Wonderful Copenhagen', as well as the only performance of his own composition 'My One Bad Habit Is Falling in Love'. As a bonus, a long unavailable live performance by the 1956 Brubeck quartet playing an unusual program is added for your listening pleasure. Includes 12 page booklet.
The complete original album "The Dave Brubeck Quartet in Europe" is released here for the first time ever on CD. Recorded live in Copenhagen, it contains Brubeck's only known version of Frank Loesser's "Wonderful Copenhagen", as well as the only performance of his own composition "My One Bad Habit Is Falling in Love".
As a bonus, a long unavailable live performance by the 1956 Brubeck quartet playing an unusual program - from a radio broadcast recorded in New York in 1956 by the early formation of the quartet, with Norman Bates on bass and Joe Dodge on drums.
The Dave Brubeck Quartet in Europe was one of the tougher Columbia LPs to acquire for fans of the pianist [...] Excerpted from a pair of concerts recorded in Europe during a spring tour in 1958, the quartet is in top form, while Brubeck is hardly the heavy-handed pianist that many early critics claimed him to be on these rewarding performances. The opener is "Wonderful Copenhagen," a delightful obscurity that Frank Loesser wrote for the musical Hans Christian Andersen. The leader penned the lovely ballad "My One Bad Habit Is Falling in Love" and "Watusi Drums," the latter a feature for drummer Joe Morello. Alto saxophonist Paul Desmond is prominent throughout the recording, where his lyricism and witty quotes especially of note in the extended treatment of the standard "Tangerine." Bassist Eugene Wright is far more than just a timekeeper, as he contributed "The Wright Groove," a catchy blues that is naturally a feature for its composer.
---Ken Dryden -All Music Guide
Dave Brubeck
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 06, 1920 in Concord, CA
Genre: Jazz
Styles: Cool, West Coast Jazz
Dave Brubeck has long served as proof that creative jazz and popular success can go together. Although critics who had championed him when he was unknown seemed to scorn him when the Dave Brubeck Quartet became a surprise success, in reality Brubeck never watered down or altered his music in order to gain a wide audience. Creative booking (being one of the first groups to play regularly on college campuses) and a bit of luck resulted in great popularity, and Dave Brubeck remains one of the few household names in jazz.
From nearly the start, Brubeck enjoyed utilizing poly-rhythms and poly-tonality (playing in two keys at once). He had classical training from his mother, but fooled her for a long period by memorizing his lessons and not learning to read music. He studied music at the College of the Pacific during 1938-1942. Brubeck led a service band in General Patton's Army during World War II and then, in 1946, he started studying at Mills College with the classical composer Darius Milhaud, who encouraged his students to play jazz. During 1946-1949, Brubeck led a group mostly consisting of fellow classmates, and they recorded as the Dave Brubeck Octet; their music (released on Fantasy in 1951) still sounds advanced today, with complex time signatures and some poly-tonality. The octet was too radical to get much work, so Brubeck formed a trio with drummer Cal Tjader (who doubled on vibes) and bassist Ron Crotty. The trio's Fantasy recordings of 1949-1951 were quite popular in the Bay Area, but the group came to an end when Brubeck hurt his back during a serious swimming accident and was put out of action for months.
Upon his return in 1951, Brubeck was persuaded by altoist Paul Desmond to make the group a quartet. Within two years, the band had become surprisingly popular. Desmond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing; both Brubeck and Desmond had original sounds and styles that owed little to their predecessors. Joe Dodge was the band's early drummer but, after he tired of the road, the virtuosic Joe Morello took his place in 1956; while the revolving bass chair finally settled on Eugene Wright in 1958. By then, Brubeck had followed his popular series of Fantasy recordings with some big sellers on Columbia, and had appeared on the cover of Time (1954). The huge success of Paul Desmond's "Take Five" (1960) was followed by many songs played in "odd" time signatures such as 7/4 and 9/8; the high-quality soloing of the musicians kept these experiments from sounding like gimmicks. Dave and Iola Brubeck (his wife and lyricist) put together an anti-racism show featuring Louis Armstrong (The Real Ambassadors) which was recorded, but its only public appearance was at the Monterey Jazz Festival in the early '60s.
The Dave Brubeck Quartet constantly traveled around the world until its breakup in 1967. After some time off, during which he wrote religious works, Brubeck came back the following year with a new quartet featuring Gerry Mulligan, although he would have several reunions with Desmond before the altoist's death in 1977. Brubeck joined with his sons Darius (keyboards), Chris (electric bass and bass trombone), and Danny (drums) in Two Generations of Brubeck in the 1970s. In the early '80s, tenor saxophonist Jerry Bergonzi was in the Brubeck Quartet, and beginning in the mid-'80s, clarinetist Bill Smith (who was in the original octet) alternated with altoist Bobby Militello.
There is no shortage of Dave Brubeck records currently available, practically everything he cut for Fantasy, Columbia, Concord, and Telarc are easy to locate. Brubeck, whose compositions "In Your Own Sweet Way," "The Duke," and "Blue Rondo a la Turk" have become standards, remained very busy (despite some bouts of bad health) into the 2000s.
---Scott Yanow, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
