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6.348 Ft
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1. | You Must Believe in Spring
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2. | Ask Yourself Why
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3. | I'll Wait for You
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4. | Watch What Happens
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5. | Once Upon a Summertime
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6. | What Are You Doing the Rest of Your Life?
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Jazz / Avant-Garde, Post-Bop
Karin Krog - Vocals Alex Riel Drums Bent Larsen Flute Erling Christensen Cello Finn Ziegler Viola Hans Nielsen Violin Kasper Winding Percussion Lubov Rubenstein Harmonica Niels Peters Oboe Niels-Henning Ørsted Pedersen Bass Ole Koch-Hansen Piano Palle Mikkelborg Arranger, Trumpet Per Carsten Flute, Sax (Alto) Per Walther Violin Philip Catherine Guitar
Many a great artist likely has been convinced to do an album which he or she later curses the Jazz Gods for ever letting it happen. Such must be the case for the fine Norwegian singer Karen Krog with regard to You Must Believe in Spring. What musical purpose this album is designed to serve is a mystery. Maybe that's why there are no liner notes. No one could think of anything to say. Here are a group of very good European musicians with many outstanding recording sessions under their respective belts taking part in an effort to transform Michel Legrand's music into a combination of pop, rock and fusion. Every electronic gimmick ever invented by an engineer is used here. There's an electric bass, piano, echo chambers and some devices I don't recognize, all laid on top of saccharine strings with Krog's voice sounding like it's coming from a cave. The best cut on this session is "What Are You Doing the Rest of Your Life" where there is some nice trumpet work by Palle Mikkelborg. The rest of the cuts are maudlin and dull. When there's only 35 minutes of music on a CD that's usually reason to complain. Here, it's a blessing. ~ Dave Nathan, All Music Guide
Karin Krog
Active Decades: '60s, '70s, '80s, '90s and '00s Born: May 15, 1937 in Oslo, Norway Genre: Jazz Styles: Avant-Garde, Post-Bop, Standards, Avant-Garde Jazz
An adventurous singer who is quite versatile, Karin Krog is able to sing anything from standards to fairly free improvisations. She made her recording debut in 1964, appeared at many jazz festivals in Europe in the mid-'60s, and in 1967, came to the U.S., performing and recording with the Don Ellis Orchestra and Clare Fischer's trio. A world traveler based in Europe, Krog has recorded fairly steadily through the years, using such sidemen as Kenny Drew, Niels-Henning Orsted Pedersen, Jan Garbarek, Ted Curson, Dexter Gordon, Palle Mikkelborg, Steve Kuhn, Steve Swallow, Archie Shepp, Bengt Hallberg, and John Surman; she has made records for Philips, Sonet, Polydor, and other European labels. ---Scott Yanow, All Music Guide |
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