| Jazz / Neo-Classical, Adult Alternative 
 Liz Story - Piano, Arranger
 Chris Bellman	Mastering
 Churchill-Morey	Composer
 Comden-Green-Styne	Composer
 Dan Bosworth	Assistant, Engineer
 Dawn Atkinson	Producer
 Dick Grove	Producer, Composer, Arranger
 Duke Ellington	Composer
 Ellington-Webster	Composer
 Evans	Composer
 Gershwin & Weill
 Hammerstein II/Kern	Composer
 Jobim-De Moraes-Gimbel	Composer
 Joel DiBartolo	Bass, Bass (Acoustic)
 Mark Guilbeault	Assistant, Engineer
 Rik Pekkonen	Engineer
 Rodgers & Hart	Composer
 Steve Hathaway	Photography
 Tom McCluskey	Editing
 Washington-Young	Composer
 Wolfe-Landesman	Composer
 Wood-Mellin	Composer
 
 
 
 Liz Story
 
 Active Decades: '80s and '90s
 Genre: Nuage; Jazz
 Styles: Neo-Classical, Solo Instrumental, Adult Alternative, Contemporary Instrumental
 
 Story studied classical piano while growing up in Southern California and even thought about becoming a music librarian or theorist for a while. Then she heard jazz pianist Bill Evans at a New York club, and the experience changed her perspective on music overnight. Story, who had studied at Juilliard and was enrolled at Hunter College at the time, abandoned her academic program in favor of jazz lessons with Sanford Gold, a teacher Evans had recommended. Back in Los Angeles, she continued her musical education at UCLA and the Dick Grove Music Workshops, but it was a job playing piano at a French restaurant that sparked her major breakthrough as a composer. Since the front casing of the piano was missing, Story had no place to put her sheet music and was forced to improvise freely. Eventually, she put some of her spontaneous compositions on tape and sent them to Windham Hill. Within four days, Will Ackerman had called her back and the contract was signed for her first release, Solid Colors, an album of impressionistic piano miniatures. Over the course of five recordings, including a two-album stint with RCA Novus, Story's style has expanded to include electronic duets with Mark Isham and works for various types of ensembles, yet the piano remains the prominent voice in her finely crafted compositions.
 ---Linda Kohanov, All Music Guide
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