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| My Foolish Heart |
| Liz Story |
első megjelenés éve: 1992
51 perc |
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| (2009)
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CD |
| 4.500 Ft
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| 1. | My Foolish Heart
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| 2. | Spring Can Really Hang You Up the Most
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| 3. | How Insensitive
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| 4. | My One and Only Love
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| 5. | My Romance
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| 6. | My Ship
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| 7. | I Got It Bad (And That Ain't Good)
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| 8. | You Are Too Beautiful
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| 9. | In a Sentimental Mood
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| 10. | Someday My Prince Will Come
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| 11. | Never Never Land
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| 12. | Never Will I Know
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| 13. | All the Things You Are
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| 14. | Turn out the Stars
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Jazz / Neo-Classical, Adult Alternative
Liz Story - Piano, Arranger
Chris Bellman Mastering
Churchill-Morey Composer
Comden-Green-Styne Composer
Dan Bosworth Assistant, Engineer
Dawn Atkinson Producer
Dick Grove Producer, Composer, Arranger
Duke Ellington Composer
Ellington-Webster Composer
Evans Composer
Gershwin & Weill
Hammerstein II/Kern Composer
Jobim-De Moraes-Gimbel Composer
Joel DiBartolo Bass, Bass (Acoustic)
Mark Guilbeault Assistant, Engineer
Rik Pekkonen Engineer
Rodgers & Hart Composer
Steve Hathaway Photography
Tom McCluskey Editing
Washington-Young Composer
Wolfe-Landesman Composer
Wood-Mellin Composer
Liz Story
Active Decades: '80s and '90s
Genre: Nuage; Jazz
Styles: Neo-Classical, Solo Instrumental, Adult Alternative, Contemporary Instrumental
Story studied classical piano while growing up in Southern California and even thought about becoming a music librarian or theorist for a while. Then she heard jazz pianist Bill Evans at a New York club, and the experience changed her perspective on music overnight. Story, who had studied at Juilliard and was enrolled at Hunter College at the time, abandoned her academic program in favor of jazz lessons with Sanford Gold, a teacher Evans had recommended. Back in Los Angeles, she continued her musical education at UCLA and the Dick Grove Music Workshops, but it was a job playing piano at a French restaurant that sparked her major breakthrough as a composer. Since the front casing of the piano was missing, Story had no place to put her sheet music and was forced to improvise freely. Eventually, she put some of her spontaneous compositions on tape and sent them to Windham Hill. Within four days, Will Ackerman had called her back and the contract was signed for her first release, Solid Colors, an album of impressionistic piano miniatures. Over the course of five recordings, including a two-album stint with RCA Novus, Story's style has expanded to include electronic duets with Mark Isham and works for various types of ensembles, yet the piano remains the prominent voice in her finely crafted compositions.
---Linda Kohanov, All Music Guide |
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