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| 4.800 Ft
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| 1. | Future Boogie
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| 2. | Should've Been You
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| 3. | Spiderlegs
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| 4. | Good to Me
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| 5. | Get on It
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| 6. | The Brighter Side
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| 7. | Gotcha!
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| 8. | In the Pocket
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| 9. | Smash and Grab
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| 10. | We've Always Got the Music
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Jazz
Julian Crampton Bass
Neil Angilley Fender Rhodes, Keyboards, Clavinet, Piano, Organ (Hammond)
Neil Burditt Synthesizer
Phil Nelson Drums
Richard Sadler Programming, Mixing, Percussion, Engineer
Roy Ayers Vocals, Vibraphone
Simon T. Bramley Engineer
Stuart Wade Producer, Programming, Horn Arrangements, Arranger
Tim Smart Horn Arrangements, Trombone
Tony Remy Guitar
Trevor Sadler Mastering
Down to the Bone
Active Decades: '90s and '00s
Genre: Jazz
Styles: Soul-Jazz, Contemporary Jazz, Acid Jazz, Smooth Jazz
Far from your run-of-the-mill contemporary jazz chart-toppers, the duo of Stuart Wade and Chris Morgans come from a long line of British advocates of jazz including the Brand New Heavies and Us3. Their first album as Down to the Bone, 1997's From Manhattan to Staten, did predictably well around their base in Chobham, Surrey, but also transferred to American smooth jazz charts. Their second album, The Urban Grooves, featured a track recorded with one of Wade and Morgans' original inspirations, organist Reuben Wilson, and topped jazz charts in America after its 1998 release date. Spread the Word: Album III followed in early 2001, with Crazy Vibes and Things coming the next year. After moving to Narada, Down to the Bone released Cellar Funk and Spread Love Like Wildfire in 2004 and 2005, respectively. The label celebrated the band's ten years in the game by issuing the greatest-hits album The Best of Down to the Bone in early 2007.
---John Bush, All Music Guide |
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