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CD |
| 6.177 Ft
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| 1. | Makin' Whoopee
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| 2. | Jazz City Blues
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| 3. | Sunset Drive
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| 4. | Frenesi
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| 5. | St. Andrew&
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| 6. | Jungle Pipe
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| 7. | Cheryl Anne
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| 8. | Zan
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| 9. | A Nice Day
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| 10. | Over The Rainbow
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| 11. | Buddy Boo
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| 12. | There Will Never Be Another You
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| 13. | Moten Swing
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| 14. | Fall Winds
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| 15. | Blues For Howard
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| 16. | You Better Go Now
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| 17. | Tasty Dish
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| 18. | I Still Love You
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| 19. | Mrs. Potts
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Jazz
Original sources:
Tracks #1-8 from "Man of Many Parts"
(Contemporary C 3522)
Tracks #9-15 from "Nice Day with Buddy Collette"
(Contemporary C 3531)
Tracks #16-19 from "Everybody's Buddy"
(Challenge CHL-603)
Tracks #1-4:
Recorded at Contemporary Studios, Hollywood, on February 24, 1956
Buddy Collette (fl, as & ts), Gerald Wiggins (p), Eugene Wright (b) and Bill Richmond (d)
Tracks #5-8:
Recorded at Contemporary Studios, Hollywood, on April 17, 1956
Buddy Collette (fl, cl, as & ts), Ernie Freeman (p), Barney Kessel (g), Joe Comfort (b) and Larry Bunker (d)
Tracks #9-10:
Recorded at Contemporary Studios, Hollywood, on November 6, 1956
Buddy Collette (fl & cl), Don Friedman (p), John Goodman (b) and Joe Peters (d)
Tracks #11-15:
Recorded at Contemporary Studios, Hollywood, on February 18, 1957
Buddy Collette (fl, cl, as & ts), Calvin Jackson (p), Leroy Vinnegar (b) and Shelly Manne (d)
Tracks #16-19:
Recorded at Radio Recorders, Hollywood, on May 13, 1957
Buddy Collette (fl, cl, as & ts), Gerald Wiggins (p), Howard Roberts (g), Eugene Wright (b) and Bill Richmond (d)
This CD is the product of five recording sessions that took place in late 1956 and early 1957, in which Buddy Collette, a seminal and original westcoaster, used five excellent rhythm sections. With his command of alto, tenor, clarinet and flute, he proved to be a musician of rare calibre, technically gifted, with flawless playing distinguished by fine tonal quality on each instrument.
Disciplined without being rigid, and full of imagination, he had a natural, flowing conception that never sounds contrived. And he was helped by having some of the best West Coast rhythm sections of the time on hand to make these recordings an ideal combination of gentleness and strength.
"This CD reissue of a Contemporary session shows off the many parts of multi-reedist Buddy Collette. Collette is showcased on tenor, alto, clarinet, and his strongest ax, flute [...] The cool jazz set (which sometimes uses advanced harmonies) also features among the sidemen trumpeter Gerald Wilson, guitarist Barney Kessel, and pianist Gerald Wiggins, ranking with Buddy Collette's best work of the 1950s."
---Scott Yanow -All Music Guide
Buddy Collette
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Aug 06, 1921 in Los Angeles, CA
Genre: Jazz
Styles: Cool, West Coast Blues, West Coast Jazz
An important force in the Los Angeles jazz community, Buddy Collette was an early pioneer at playing jazz on the flute. Collette started on piano as a child and then gradually learned all of the woodwinds. He played with Les Hite in 1942; led a dance band while in the Navy during World War II; and then freelanced in the L.A. area with such bands as the Stars of Swing (1946), Edgar Hayes, Louis Jordan, Benny Carter, and Gerald Wilson (1949-1950). An early teacher of Charles Mingus, Collette became the first black musician to get a permanent spot in a West Coast studio band (1951-1955). He gained his greatest recognition as an important member of the Chico Hamilton Quintet (1955-1956), and he recorded several albums as a leader in the mid- to late '50s for Contemporary. Otherwise, he mostly stuck to the L.A. area, freelancing, working in the studios, playing in clubs, teaching, and inspiring younger musicians. Although a fine tenor player and a good clarinetist, Collette's most distinctive voice is on flute; he recorded an album with one of his former students, the great James Newton (1989). In addition, Collette participated in a reunion of the Chico Hamilton Quintet, and recorded a two-disc "talking record" for the Issues label in 1994, in which he discussed some of what he had seen and experienced through the years.
---Scott Yanow, All Music Guide |
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