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| 5.258 Ft
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| 1. | Magali
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| 2. | Blues in Torrance
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| 3. | Richmond in Acropolis
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| 4. | It's You
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| 5. | Crystal
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| 6. | Andr
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| 7. | Flute Talk
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| 8. | Roshanda
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Jazz / Post-Bop, West Coast Jazz
Buddy Collette - Flute, Clarinet, Sax (Alto)
Frank Collett - Piano
Gennaro Carone Engineer
Geri Allen Piano
Giampiero Prina Drums
Giancarlo Barigozzi Engineer
Gianpiero Prins Drums
Giovanni Bonandrini Producer
Herb Wong Liner Notes
James Newton Flute
Jaribu Shahid Bass
Niridan Cover Art
Paola Bensi Photography
Paola Bonsi Photography
Other than a couple of releases for tiny labels in 1973, this Soul Note CD was Buddy Collette's first session as a leader since 1964. Collette and his former pupil, the great flutist James Newton, team up with pianist Geri Allen, bassist Jaribu Shahid, and drummer Gianpiero Prina for six of Collette's melodic originals (including "Blues in Torrance"), one of Newton's, and a free improvisation created by the two flutists. Collette, who also plays some alto and clarinet on the date, sounds quite happy to be reunited with Newton and to finally be recording again. Although the music is primarily straight-ahead, there are some adventurous moments. ~ Scott Yanow, All Music Guide
Buddy Collette
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Aug 06, 1921 in Los Angeles, CA
Genre: Jazz
Styles: Cool, West Coast Blues, West Coast Jazz
An important force in the Los Angeles jazz community, Buddy Collette was an early pioneer at playing jazz on the flute. Collette started on piano as a child and then gradually learned all of the woodwinds. He played with Les Hite in 1942; led a dance band while in the Navy during World War II; and then freelanced in the L.A. area with such bands as the Stars of Swing (1946), Edgar Hayes, Louis Jordan, Benny Carter, and Gerald Wilson (1949-1950). An early teacher of Charles Mingus, Collette became the first black musician to get a permanent spot in a West Coast studio band (1951-1955). He gained his greatest recognition as an important member of the Chico Hamilton Quintet (1955-1956), and he recorded several albums as a leader in the mid- to late '50s for Contemporary. Otherwise, he mostly stuck to the L.A. area, freelancing, working in the studios, playing in clubs, teaching, and inspiring younger musicians. Although a fine tenor player and a good clarinetist, Collette's most distinctive voice is on flute; he recorded an album with one of his former students, the great James Newton (1989). In addition, Collette participated in a reunion of the Chico Hamilton Quintet, and recorded a two-disc "talking record" for the Issues label in 1994, in which he discussed some of what he had seen and experienced through the years.
---Scott Yanow, All Music Guide |
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