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The Complete '60s Big Band Recordings
J.J. Johnson
spanyol
első megjelenés éve: 2007
(2008)

2 x CD
3.863 Ft 

 

IMPORT!
Kosaramba teszem
1. CD tartalma:
1.  Bemsha Swing
2.  So What
3.  My Little Suede Shoes
4.  Stratusphunk
5.  Stolen Moments
6.  Swing Spring
7.  Train Samba
8.  Winter's Waif
9.  El Camino Real
10.  Agua de Beber
11.  Pense a Moi
12.  How Insensitive
13.  I'm All Smiles
14.  G'won Train
15.  Feeling Good
16.  Seventh Son
17.  In the Name of Love
18.  No Particular Place to Go
19.  008
20.  Billy Boy
21.  Incidental Blues
 
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2.  Sunrise Sunset
3.  Sew the Buttons On
4.  More Than One Way
5.  Night Song
6.  Come Back to Me
7.  Something's Coming
8.  Why Did I Choose You?
9.  Joker
10.  Goodbye Old Girl
11.  I Believe in You
12.  Xanadu
13.  Say When
14.  Ballade
15.  Litte Dave
16.  Space Walk
17.  In Walked Horace
18.  Blue
19.  Euro 1
20.  Euro 2
21.  Short Cake
Jazz

2007 two CD set that contains the complete discography of J.J. Johnson's 1960s Big Band recordings as a leader. These 13 different studio sessions were originally released across four separate albums (all featured here in their entirety): Dynamic Sound Of J.J. Johnson (1964), Goodies, Broadway Express (both 1965) and The Total J.J. Johnson. Featuring musical assistance from Art Farmer, Thad Jones, Clark Terry, Oliver Nelson, Hank Jones, Kenny Burrell and others.

Includes a 20 page booklet.



J.J. Johnson

Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Jan 22, 1924 in Indianapolis, IN
Died: Feb 04, 2001 in Indianapolis, IN
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Modern Big Band, Third Stream

Considered by many to be the finest jazz trombonist of all time, J.J. Johnson somehow transferred the innovations of Charlie Parker and Dizzy Gillespie to his more awkward instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve (rather than slide) trombone. Johnson toured with the territory bands of Clarence Love and Snookum Russell during 1941-1942, and then spent 1942-1945 with Benny Carter's big band. He made his recording debut with Carter (taking a solo on "Love for Sale" in 1943), and played at the first JATP concert (1944). Johnson also had plenty of solo space during his stay with Count Basie's Orchestra (1945-1946). During 1946-1950, he played with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-1949), and the Miles Davis Birth of the Cool Nonet. His own recordings from the era included such sidemen as Bud Powell and a young Sonny Rollins. Johnson, who also recorded with the Metronome All-Stars, played with Oscar Pettiford (1951) and Miles Davis (1952), but then was outside of music, working as a blueprint inspector for two years (1952-1954). His fortunes changed when, in August 1954, he formed a two-trombone quintet with Kai Winding that became known as Jay and Kai and was quite popular during its two years.
After Johnson and Winding went their separate ways (they would later have a few reunions), Johnson led a quintet that often included Bobby Jaspar. He began to compose ambitious works, starting with 1956's "Poem for Brass," and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard. Johnson worked with Miles Davis during part of 1961-1962, led some more small groups of his own, and by the late '60s was kept busy writing television and film scores. J.J. Johnson was so famous in the jazz world that he kept on winning Downbeat polls in the 1970s, even though he was not playing at all. However, starting with a Japanese tour in 1977, Johnson gradually returned to a busy performance schedule, leading a quintet in the 1980s that often featured Ralph Moore. In the mid-'90s, he remained at the top of his field, but by the late '90s and early into the 2000s, the legendary musician fell ill with prostate cancer, and sadly took his own life on February 4, 2001.
---Scott Yanow, All Music Guide

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