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| Move on Over....... The Eddie Buster Sides |
| Sonny Stitt |
spanyol
első megjelenés éve: 1963
80 perc |
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| (2007)
[ DIGIPACK ]
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CD |
Kérjen
árajánlatot! |
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| 1. | Stormy Weather
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| 2. | A Natural Fox
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| 3. | Love Letters
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| 4. | Move on Over
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| 5. | My Mother's Eyes
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| 6. | The Lady Is a Tramp
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| 7. | Dexter's Deck
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| 8. | Shut the Back Door
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| 9. | I'm in the Mood for Love [Live]
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| 10. | McKie's [Live]
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| 11. | It All Depends on You [Live]
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| 12. | Blue Moon [Live]
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| 13. | Free Chicken [Live]
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| 14. | Jay Tree [Live]
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Jazz / Bop
SONNY STITT (alto and tenor sax)
EDDIE BUSTER (organ)
on all tracks, plus:
#1-8: "MOVE ON OVER": Nicky Hill (ts), Joe Diorio (g), Gerald Donovan (d). Recorded at Ter Mar Studio, Chicago, June 7, 1963.
#9-14: "AT THE D.J. LOUNGE": Johnny Board (ts), Joe Shelton (d).
Recorded live at the D.J. Lounge, Chicago, June, 1961.
2007 digipak edition includes Jazz saxophonist Sonny Stitt's complete recorded collaboration with the outstanding organist Eddie Buster, consisting of the two albums, both previously unavailable on CD: Move on Over (1963) and At the D.J. Lounge (1961).
This package also includes a comprehensive 12-page booklet!
The most influential of the musicians [on the local scene in New Haven] were Bobby and Eddie Buster. They were local organists who played and recorded with all of the greats who had passed through town including Sonny Rollins, Gene Ammons, Sonny Stitt and John Coltrane. Th e Busters took me under their tutelage and every Sunday I went to the Jam Session they led and learned a lot of important musical lessons the hard way.
--- Wayne Escoffery
Move on Over pairs Sonny Stitt with the little-known Chicago organist Eddie Buster, resulting in a gritty, kinetic session fueled by the lively give and take of its principles. Guitarist Joe Diorio and altoist Nicky Hill further enhance the set's organic, one-take feel. All four participants seem to operate on pure instinct, translating the energy of the live setting into the sterile confines of the recording studio, and the music is all the better for it. [Move on Over was reissued on CD in 2007 with its predecessor At the DJ Lounge on the Jazz Beat two-fer Move on Over: The Eddie Buster Sides.] ~ Jason Ankeny, All Music Guide
Sonny Stitt
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Feb 02, 1924 in Boston, MA
Died: Jul 22, 1982 in Washington, D.C.
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Soul-Jazz, Standards
Charlie Parker has had many admirers and his influence can be detected in numerous styles, but few have been as avid a disciple as Sonny Sitt. There was almost note-for-note imitation in several early Stitt solos, and the closeness remained until Stitt began de-emphasizing the alto in favor of the tenor, on which he artfully combined the influences of Parker and Lester Young. Stitt gradually developed his own sound and style, though he was never far from Parker on any alto solo. A wonderful blues and ballad player whose approach influenced John Coltrane, Stitt could rip through an up-tempo bebop stanza, then turn around and play a shivering, captivating ballad. He was an alto saxophonist in Tiny Bradshaw's band during the early '40s, then joined Billy Eckstine's seminal big band in 1945, playing alongside other emerging bebop stars like Gene Ammons and Dexter Gordon. Stitt later played in Dizzy Gillespie's big band and sextet. He began on tenor and baritone in 1949, and at times was in a two-tenor unit with Ammons. He recorded with Bud Powell and J.J. Johnson for Prestige in 1949, then did several albums on Prestige, Argo, and Verve in the '50s and '60s. Stitt led many combos in the '50s, and re-joined Gillespie for a short period in the late '50s. After a brief stint with Miles Davis in 1960, he reunited with Ammons and for a while was in a three-tenor lineup with James Moody. During the '60s, Stitt also recorded for Atlantic, cutting the transcendent Stitt Plays Bird, which finally addressed the Parker question in epic fashion. He continued heading bands, though he joined the Giants of Jazz in the early '70s. This group included Gillespie, Art Blakey, Kai Winding, Thelonious Monk, and Al McKibbon. Stitt did more sessions in the '70s for Cobblestone, Muse, and others, among them another definitive date, Tune Up. He continued playing and recording in the early '80s, recording for Muse, Sonet, and Who's Who in Jazz. He suffered a heart attack and died in 1982.
---Ron Wynn and Bob Porter, All Music Guide |
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